“Seth material” search engine (Jane Roberts)

Even if those sessions can’t be quoted in these essays because of the obvious space limitations, I can note that Jane and Seth each continued to develop the themes already laid down in the sessions that have been presented. What they really signify for the long term is (as I wrote in the essay for April 16) a continuing program of intense study for Jane and me—and yes, for Seth, too—as we seek to better understand our chosen commitments in our present physical lives. Our questions reflect those that everyone has, whether consciously or unconsciously—and among them is that eternally human “Why?” behind each event that we know. The material in the sessions is exhilarating, painful, enlightening, perceptive, frustrating, and maddening by turn—and sometimes, it seems, all of those things at once. We’d like to publish much of it, even though it’s hardly all flattering, and even though some of it, because of our ordinary human limitations, may not be very useful in everyday life. For if the information arouses such mixed emotions in Jane and me, surely it will do so in others too, serving as an impetus or goad to learn more even while it highlights one’s strengths and weaknesses. You create your own reality. The anger I’d felt at Jane and myself when she began recording her sinful-self material (see the essay for April 16) has long since dissipated. I won’t claim that residues of it may not be buried within my psyche (and within Jane’s), but it’s very difficult to stay mad when one agrees with the simple but most basic and profound idea that you do create your own reality.

Our joint concentration has become like a brilliant light directed upon first one event and then another. Because Jane still requires regular care, our sleeping patterns remain much more evenly divided between the daylight and nighttime hours (see the essay for April 16). Since I can no longer work for hours at a time on the Seth books, or with the Seth material, I’m training myself to “put out” copy in concentrated bursts of energy that are usually of an hour’s duration, say. I work around these creative outpourings by ministering to my wife, running our house and the many errands connected with our daily living, handling our publishing affairs, seeing visitors—expected and unexpected—and trying to answer at least some of the mail, which is threatening to accumulate beyond control. Once again I’m becoming aware of my dreams, and so is Jane. I haven’t been able to get back to painting since Jane left the hospital, and I’ve had to hire help to mow the grass. Nor have I resumed the midnight walks I used to take over the hilly streets of our neighborhood; I used to look forward to seeing the shadowy deer as they moved down into the streets from the woods north of the hill house. Jane’s nurse now visits but twice a week, which is all that’s necessary (my wife’s decubiti are under control, for example).