“Seth material” search engine (Jane Roberts)

Actually, of course, each second of any creature’s life represents a creative act of the keenest sort, for it signals that physical entity’s decision to continue living in physical terms. I think Jane has made some remarkable gains since leaving the hospital. Our friends all tell her she looks better each time they see her. She has beautiful clear skin. (Irish skin, I joke with her, although she’s really but a quarter Irish.) She has additional freedom of movement in various joints, such as her knees and hips, although she’s far from being able to walk. She can now type—if rather awkwardly—perhaps half a page of copy per day. “During those frightening-enough hospital episodes I learned under combat conditions, so to speak, how to trust my body,” she wrote one day—an apt-enough analogy, I think.

In that sense Jane’s whole self or entity accepts her actions completely, as part of the learning processes available to “it” through her individuality—nor do I mean it does so in any passive or remote sense at all, but in the most intimate, sensitive terms possible, and also, probably, in ways we cannot appreciate now. At that moment of joining with her whole self, whenever her “death” does take place, all will be resolved with the finest creativity and understanding, for I believe that Jane herself will certainly continue “living” as an individual.

I also believe that these kinds of challenges—involving decisions about whether to continue physical life—have always existed for every creature on earth (just as they have for the earth itself as a living entity). Jane and I have no idea of how our personal story is going to work out, but we do want to tell it.