“Seth material” search engine (Jane Roberts)

There must be a vast amount of pertinent dream information ready for the tapping, however, and maybe with Seth’s help Jane and I can eventually learn more about the undoubtedly therapeutic roles our joint and individual dreams have played as we contended with the challenges posed by her physical difficulties. Many questions arise: Even granting our personal reservations about influences being exerted within our current lives through past, future, as well as other present existences, what about exchanges on dream levels concerning Jane’s symptoms between or among any of our reincarnational selves, our counterpart selves, or various combinations of the two? How am I involved in any of these, and how are Jane’s and my families—and reaching how many generations back in ordinary time? To what extent does Jane’s physical infirmity mushroom into other probable realities through the dream state? I think that Jane herself can deal with many such questions; possibly tuning into them on her own, should she decide to, or through the mediation of her “psychic library.” A book could automatically develop out of the investigation—even, I joked with Jane, a “world-view” book.

She’s also done her first two colored-ink sketches, using one of the 4” × 6” watercolor pads I’d bought for her last year. In these sketches, with their simple but very effective patterns of line and primary colors, Jane somehow bypasses her everyday challenges and very clearly reflects her basically mystical view of the world. She does the same with the little poems she’s worked upon, most of which she regards as being not only incomplete but quite inconsequential: “I wouldn’t even type them up, like you did,” she commented. Yet I like lines like: “Let the dirge be heard, sweeping all things before it,” and: “I’ve developed a sense of death, when someone takes a few steps off the known path almost unknowing,” and: “I breathed in the public air and it became private.” Jane also sings in Sumari occasionally, and has written down a few short songs in that “language” without translating them. I’ve been careful to collect for our own records the prose, sketches, poetry, and Sumari she’s produced during this time of healing and testing.

Apropos of the material I’ve been covering in these pages, I want to close this essay with quotations from two sessions that I’ve always thought are among the best Seth has given. These sessions still live, and in them he reinforces the idea that each of us does create our own reality. Both can be found in Chapter 1 of Personal Reality.