1 result for (book:deavf1 AND heading:"essay 7 friday may 7 1982" AND stemmed:creativ)
[... 21 paragraphs ...]
How richly creative we are: Each of our presents is part of the future from the standpoint of the past; each of our presents is also part of the past from the standpoint of the future.
[... 3 paragraphs ...]
Our attitudes, then, may point up our unconscious strengths and weaknesses when it comes to our acceptance and use, or nonuse, of at least portions of the Seth material. We may be more “prisoners,” or more deeply rooted in our times and concepts, than we like to admit. Consciously, however, Jane has never been overly enthusiastic about the idea of reincarnation to begin with. I’ve noted in other books that she seldom talks about it. She was brought up as a Roman Catholic, and more than passionately embraced that faith. Yet she was early subjected to the church’s rigid opposition to the whole idea of reincarnation because, strangely enough, even in her very youthful poetry she dealt with the forbidden subject (although not by name). Jane does believe that long ago she left behind the church’s dogmas on reincarnation. She doesn’t want to use the concept as a crutch; her caution stems from other beliefs, on which I’ll quote her shortly. (As for myself, while growing up I knew nothing of reincarnation beyond its name.) But we’ll be the first ones to agree that in certain Seth sessions, and in her very evocative poetry, Jane has encouraged her intuitive and creative selves to seriously discuss reincarnation. This is very evident in her second and latest book of poetry, If We Live Again: Or, Public Magic and Private Love, which was published in December of last year (1981). From the beginning of Section 3 of “I Am Alive Again”:
[... 13 paragraphs ...]
Now what kinds of “redemption” can be found amid the interchanges among any combination of reincarnational and/or counterpart lives, for instance? Some, certainly, and no doubt the reader can think of at least a few creative interpretations of redemptive qualities, but I’d rather let the question search for its own approximate answers as I continue work upon this essay. Jane and I do feel sure, however, that the experiences of our current lifetimes have so many psychic and physical ramifications that their numbers are literally beyond our grasp—and that many of those developments are certain to be quite “alien” to us here in our own everday realities. (All of this applies to everyone, of course.)
[... 5 paragraphs ...]
We’ve presented lengthy quotations from Seth on his Framework 1 and Framework 2 material both in his Mass Events and in Jane’s God of Jane. His discussions on the subject are an excellent example of how a very creative idea, capable of helping many people, can arise from an attempt to deal with a personal situation—for on September 17, 1977, Seth introduced his Frameworks 1 and 2 concept in a private session designed to help Jane contend with her physical symptoms.
[... 1 paragraph ...]
As Seth told us in that introductory session, over four and a half years ago, Jane’s “body itself has nothing wrong with it except the application of beliefs…. Even if you think the body does have something wrong with it, then the necessary adjustments would be made in another kind of time [in Framework 2] that in Framework 1 would take no time at all—or, the amount of time you thought required.” For emphasis I myself underlined that last phrase, because it’s easy to miss how very important it really is: Our individual concept of the amount of time necessary to accomplish an action like a healing will govern its progress. Then, a bit later, Seth made a statement that I’ve thought most ironic ever since: “In terms of creativity, however, Ruburt has long been operating in Framework 2, and this session should help him make certain correlations so that he can automatically begin to use such methods in regard to his physical conditon.”
[... 16 paragraphs ...]