“Seth material” search engine (Jane Roberts)

We do not want long drawn-out discussions of why and what exactly happened, simply to understand the dynamics of the activity. Ruburt can work with the self-image he has now. It is imperfect, but it is pliable and willing to change.

(9:30 A.M. Friday, April 16, 1982. Seth-Jane came through with that little session five days ago. One might say that this morning Jane continued it in her own session, exploring especially Seth’s opening material. At first she tried to do it as best she could through writing: Painfully, holding her pen awkwardly, she spent over an hour recording the first four paragraphs—even then, after checking our records, I added to her work material about dates and sequences.)

All of that work—and more—accounts for the long delay in the completion of Dreams, “Evolution,” and Value Fulfillment. Actually, with the exception of one session held in November 1980, I let my work on the book go for over 13 months, from early June 1980 to mid-July 1981.

I could feel Rob hoping that my own efforts would help me. In a hundred ways he tried his best to help me on his own. Seth resumed work on Dreams during that July, but each day I seemed to work less and less. Summer turned into fall, then winter, and I hardly noticed. I began to doze in my chair as I sat at my desk. On occasion I was consciously aware of thinking how easy it might be on certain levels to let my desires drop one by one—there seemed to be few left in any case—and to let myself simply drift off into an unastonished death.

We didn’t return to “work,” however, until we’d enjoyed a covered-dish supper that a loving neighbor had prepared for us. By then our visiting nurse had come and gone. I’d run quick errands to the drugstore and the supermarket, and written two letters to correspondents explaining that we had no time for visitors. There was more than a little irony and humor connected with my efforts here, though, for no sooner had I sealed the second letter than there was a knock on the front door of the hill house. An unexpected visitor stood there: a young woman lawyer who had flown to Elmira from San Francisco to see Jane. Although Jane was hardly at her best, she discussed her caller’s personal problems with her for an hour. I took a nap as soon as the lady left.

(Long pause at 8:01.) In a manner of speaking, the sinful self created the superhuman self-image that demanded so much, and it encased Ruburt’s body as if in concrete. Well, that image cracked and crumbled in the hospital experience, leaving Ruburt with his more native, far more realistic image of himself. It is one he can work with. Do, when you can, look over my “magical approach” material. Ruburt kept turning down his thermostat, so to speak. Now his desires and intents have set it upon a healthy, reasonable setting, and the inner processes are automatically activated to bring about the normal quickening of his body, as before his intent led to the body’s automatic slowness.

It’s impossible to present here all of Jane’s own material on her sinful self—much as I’d like to—but shortly I do want to give portions of the first few pages to show readers how experiences from one’s very early years can sometimes have the most profound effects in later life. As will be seen, that material obviously raises as many questions as it answers, but right now we can do little more than touch upon the whole affair. We have years of work ahead of us as we search for understanding. Certainly Jane chose all of her challenges in this life, just as I did, and as we believe each person does, but a major concomitant of focusing upon certain activities involves how one copes with them (often in close cooperation with others) as the years pass: What new and original depths of feeling and idea are uncovered, layer by layer, what insights, what rebellions, and, yes, what acceptances….

At the end of May and early in June 1981 we published two books involving years of effort: Seth-Jane’s The Individual and the Nature of Mass Events, and Jane’s The God of Jane: A Psychic Manifesto. I was positive that those volumes contained much excellent work. I was also positive that with their publication, Jane’s symptoms—especially her walking difficulties—became considerably worse. On the surface at least, it was as though some powerful portion of her psyche were exacting a grim compensation for the books’ appearance in the marketplace. Perhaps, I thought, that portion was creating a physical disability that allowed Jane to publish forbidden material while protectively isolating herself—and me—from rejection by the physical world. Both of us became terribly upset. Our joint lifework teetered upon the edge of a physical disaster.

But—it now becomes evident—I was myself tinged not by sin in a metaphysical sense (as I thought I might be), but with a belief in sin (itself) that I had not dismissed. Therefore the disclaimer was necessary to protect myself and others from any fatal flaw in our work—a flaw that sin’s blindness made invisible….

And so on. It all was—and is—great material, and more accurate and penetrating than my own ideas as to why some portion of Jane’s psyche might feel a need for protection from the world, or from another part of herself. While profoundly upsetting both of us, the revelations of her sinful self also seemed to provide a magical psychological key: the yearned-for understanding that would finally unlock Jane’s bent physical body. But it didn’t. Nothing did—not Seth, with all of his great material on the magical approach, not the publication of the new books, not even Jane’s own work. The challenge of our learning enough to initiate her recovery was still with us during that summer of 1981.

And as for books, early in August I returned to our publisher, Prentice-Hall, the page proofs Jane had corrected for her book of poetry: If We Live Again: Or, Public Magic and Private Love. Ordinarily that event would have delighted us, since it meant that before the year was out she’d have another work published. Instead, we despaired over her physical condition as the weeks passed. Just how stubborn could those core beliefs held by her sinful self be? Finally, we were left hoping that the sinful self’s very exposure through its own material would eventually bring about some physical improvement. That didn’t happen either. I painted in the mornings, searching for a peace of mind that I couldn’t obtain in any other way. Jane held a few widely scattered sessions for Dreams, and a number of private ones as fall came, then winter. Those sessions represented largely futile activity, I thought, yet I gladly admitted that each one of them was as unique and creative as ever, no matter what its subject. Perversely, beyond taking it down and typing it, I hardly looked at the Seth material for days at a time. Finally, early in December 1981 I told Jane I was on the verge of refusing to sit with her for any sessions at all, regular or private, for I’d become deeply afraid that the more sessions she held the worse she’d get. Again she refused to go into the hospital. At this time, Prentice-Hall sent us the first published copies of If We Live Again, but as proud as Jane and I are of that book, its appearance didn’t help her. At our small, annual Christmas Eve party we gave autographed copies of the book to close friends—the best presents we could offer. After the holidays, though, we saw few friends and no strangers.