“Seth material” search engine (Jane Roberts)

That is, I thought it could all happen so easily and naturally and painlessly that there would be no one point where you could say, “Now she lives and now she doesn’t.”

My hearing began to fail, at first gradually. Let people talk around me, I thought: I no longer cared. Then with bewildering impact I found myself one day almost entirely deaf. Here was no gentle lulling silence, for the absence of sound frightened me beyond anything I could remember. (Long pause.) Was Rob in the room? If I couldn’t see him I couldn’t tell. Did he stand protectively just behind my chair, ready to help me in my maneuvers into bed, or was he in the kitchen, rooms away? There were no sounds of footsteps upon the carpeted floors, no telltale hint of activity. The experience interrupted my retreat. I remember somehow equating all the silence about me with a forbidding white wall. And in parentheses: (I don’t know why I felt that way, but I did.) I couldn’t die deaf (Jane said with a laugh at 11:45). I think I had imagined that everything would shut down gradually. I certainly hadn’t planned on one sense suddenly turning off.

“I wonder what you’ll be doing six months from now, if Seth’s right?” I asked. “The body finally became so desperate to free itself from that rigid sinful-self superhuman image that it took itself into the hospital for a month—even if it did almost kill itself in order to get there….” Jane concurred. And right away she described several occasions when she thought her thyroid gland had rather seriously misbehaved. I remembered two of them.)

One small way in which I wanted to begin that quest was for me to teach Jane to write—print, actually—with her left hand, which functions much better now than her right one does. I thought this might be relatively easy for her to do, since she’s often voiced her suspicion that she’s one of those born “lefties” who at a very early age were forced to begin writing with their right hand. She has yet to do anything about my suggestion. (I spoke from my own related experience, since as a native right-hander I taught myself to print with my left hand just to see if I could do it. Now I always do crossword puzzles that way.)

At the end of May and early in June 1981 we published two books involving years of effort: Seth-Jane’s The Individual and the Nature of Mass Events, and Jane’s The God of Jane: A Psychic Manifesto. I was positive that those volumes contained much excellent work. I was also positive that with their publication, Jane’s symptoms—especially her walking difficulties—became considerably worse. On the surface at least, it was as though some powerful portion of her psyche were exacting a grim compensation for the books’ appearance in the marketplace. Perhaps, I thought, that portion was creating a physical disability that allowed Jane to publish forbidden material while protectively isolating herself—and me—from rejection by the physical world. Both of us became terribly upset. Our joint lifework teetered upon the edge of a physical disaster.

But—it now becomes evident—I was myself tinged not by sin in a metaphysical sense (as I thought I might be), but with a belief in sin (itself) that I had not dismissed. Therefore the disclaimer was necessary to protect myself and others from any fatal flaw in our work—a flaw that sin’s blindness made invisible….

And as for books, early in August I returned to our publisher, Prentice-Hall, the page proofs Jane had corrected for her book of poetry: If We Live Again: Or, Public Magic and Private Love. Ordinarily that event would have delighted us, since it meant that before the year was out she’d have another work published. Instead, we despaired over her physical condition as the weeks passed. Just how stubborn could those core beliefs held by her sinful self be? Finally, we were left hoping that the sinful self’s very exposure through its own material would eventually bring about some physical improvement. That didn’t happen either. I painted in the mornings, searching for a peace of mind that I couldn’t obtain in any other way. Jane held a few widely scattered sessions for Dreams, and a number of private ones as fall came, then winter. Those sessions represented largely futile activity, I thought, yet I gladly admitted that each one of them was as unique and creative as ever, no matter what its subject. Perversely, beyond taking it down and typing it, I hardly looked at the Seth material for days at a time. Finally, early in December 1981 I told Jane I was on the verge of refusing to sit with her for any sessions at all, regular or private, for I’d become deeply afraid that the more sessions she held the worse she’d get. Again she refused to go into the hospital. At this time, Prentice-Hall sent us the first published copies of If We Live Again, but as proud as Jane and I are of that book, its appearance didn’t help her. At our small, annual Christmas Eve party we gave autographed copies of the book to close friends—the best presents we could offer. After the holidays, though, we saw few friends and no strangers.