“Seth material” search engine (Jane Roberts)

(We finally held our first “new” Seth session last Monday evening, on April 12. It was short but, as I expected it would be, excellent. We were pleased to get it for, as I told Jane, if ever we’re to understand all of the events in our lives that led to the hospital experience, we must call upon every ability at our service. And even though this is a personal session, still I think it contains clues that apply to all of us. Jane went into trance as easily as ever, but her Seth voice contained the same underlying tremor I’ve noticed on a number of occasions since she’s returned home. Remember that in the following excerpts Seth—who claims to be discarnate—calls Jane by her male “entity name,” Ruburt, and thus “he” and “him.”)

(8:10 P.M. Jane’s Seth voice had grown a little stronger as she progressed with the session. We were very encouraged by two key points Seth had mentioned: that her thyroid gland had repaired itself before—such an event happening now would free her of dependence upon medication—and that her sinful self’s superhuman image had “cracked and crumbled in the hospital experience.” Those two developments could leave her body free to heal itself. [In the first essay I wrote that according to her doctor Jane’s thyroid gland has ceased functioning, and that she has to take a substitute hormone daily for the rest of her life. But the doctor hadn’t expressed any idea at all that a thyroid gland could regenerate itself.]

At the end of May and early in June 1981 we published two books involving years of effort: Seth-Jane’s The Individual and the Nature of Mass Events, and Jane’s The God of Jane: A Psychic Manifesto. I was positive that those volumes contained much excellent work. I was also positive that with their publication, Jane’s symptoms—especially her walking difficulties—became considerably worse. On the surface at least, it was as though some powerful portion of her psyche were exacting a grim compensation for the books’ appearance in the marketplace. Perhaps, I thought, that portion was creating a physical disability that allowed Jane to publish forbidden material while protectively isolating herself—and me—from rejection by the physical world. Both of us became terribly upset. Our joint lifework teetered upon the edge of a physical disaster.

And as for books, early in August I returned to our publisher, Prentice-Hall, the page proofs Jane had corrected for her book of poetry: If We Live Again: Or, Public Magic and Private Love. Ordinarily that event would have delighted us, since it meant that before the year was out she’d have another work published. Instead, we despaired over her physical condition as the weeks passed. Just how stubborn could those core beliefs held by her sinful self be? Finally, we were left hoping that the sinful self’s very exposure through its own material would eventually bring about some physical improvement. That didn’t happen either. I painted in the mornings, searching for a peace of mind that I couldn’t obtain in any other way. Jane held a few widely scattered sessions for Dreams, and a number of private ones as fall came, then winter. Those sessions represented largely futile activity, I thought, yet I gladly admitted that each one of them was as unique and creative as ever, no matter what its subject. Perversely, beyond taking it down and typing it, I hardly looked at the Seth material for days at a time. Finally, early in December 1981 I told Jane I was on the verge of refusing to sit with her for any sessions at all, regular or private, for I’d become deeply afraid that the more sessions she held the worse she’d get. Again she refused to go into the hospital. At this time, Prentice-Hall sent us the first published copies of If We Live Again, but as proud as Jane and I are of that book, its appearance didn’t help her. At our small, annual Christmas Eve party we gave autographed copies of the book to close friends—the best presents we could offer. After the holidays, though, we saw few friends and no strangers.