“Seth material” search engine (Jane Roberts)

Jane tried to write with her impaired right hand, frustrated again and again because she couldn’t hold a pen well enough to put down the ideas stirring in her mind. At times she used her recorder in an effort to compensate for her lack of writing ability, but this left us with the prospect of finding the time to transcribe the tapes—and so far we haven’t done so. (Much of that material is so personal that at this time we don’t want others involved with it, by the way.)

My hearing began to fail, at first gradually. Let people talk around me, I thought: I no longer cared. Then with bewildering impact I found myself one day almost entirely deaf. Here was no gentle lulling silence, for the absence of sound frightened me beyond anything I could remember. (Long pause.) Was Rob in the room? If I couldn’t see him I couldn’t tell. Did he stand protectively just behind my chair, ready to help me in my maneuvers into bed, or was he in the kitchen, rooms away? There were no sounds of footsteps upon the carpeted floors, no telltale hint of activity. The experience interrupted my retreat. I remember somehow equating all the silence about me with a forbidding white wall. And in parentheses: (I don’t know why I felt that way, but I did.) I couldn’t die deaf (Jane said with a laugh at 11:45). I think I had imagined that everything would shut down gradually. I certainly hadn’t planned on one sense suddenly turning off.

And as for books, early in August I returned to our publisher, Prentice-Hall, the page proofs Jane had corrected for her book of poetry: If We Live Again: Or, Public Magic and Private Love. Ordinarily that event would have delighted us, since it meant that before the year was out she’d have another work published. Instead, we despaired over her physical condition as the weeks passed. Just how stubborn could those core beliefs held by her sinful self be? Finally, we were left hoping that the sinful self’s very exposure through its own material would eventually bring about some physical improvement. That didn’t happen either. I painted in the mornings, searching for a peace of mind that I couldn’t obtain in any other way. Jane held a few widely scattered sessions for Dreams, and a number of private ones as fall came, then winter. Those sessions represented largely futile activity, I thought, yet I gladly admitted that each one of them was as unique and creative as ever, no matter what its subject. Perversely, beyond taking it down and typing it, I hardly looked at the Seth material for days at a time. Finally, early in December 1981 I told Jane I was on the verge of refusing to sit with her for any sessions at all, regular or private, for I’d become deeply afraid that the more sessions she held the worse she’d get. Again she refused to go into the hospital. At this time, Prentice-Hall sent us the first published copies of If We Live Again, but as proud as Jane and I are of that book, its appearance didn’t help her. At our small, annual Christmas Eve party we gave autographed copies of the book to close friends—the best presents we could offer. After the holidays, though, we saw few friends and no strangers.