“Seth material” search engine (Jane Roberts)

For all of your complaining (Seth told us with some humor at 8:56), you understand in rather good measure the decisions and actions that motivate your lives, so that Ruburt is more than usually aware of the manipulations that psychologically and physically lie just beneath the material usually carried by what is ordinarily called the conscious mind. Therefore, a kind of momentary gap appeared between his life and his living of it—a pause and a hesitation became obvious between his life and what he should do with it, as his condition showed just before the hospital hiatus.

Few overt hints of this appear in Rob’s notes for Dreams. For one thing, the process of withdrawal was slow at the start. For another, when Seth was more than three-quarters of the way through Dreams he began devoting a series of private sessions to an in-depth discussion of “the magical approach”—material that was calculated to help me personally, and others like me, change our approach to experience and thus experience itself. Rob’s detailed notes about my physical condition, then, appear in those pages.

(This evening [on April 16] Jane suggested that we sit at our living-room table while I read her morning’s dictation to her. But instead: “Well, I guess I’ll do a Seth thing tonight,” she announced, rather to my surprise, “but it won’t be long at all….” This is the second time she’s spoken for Seth since leaving the hospital. When she went into trance at 7:39 her Seth voice had a distinct tremor—one decidedly more pronounced than on April 12—and a hard-to-define faraway quality. She spoke with many long pauses. I think that in the following excerpts Seth rather neatly encapsulates her past beliefs, her present condition, and how far she has yet to go in meeting her challenges. [Not that I’m the innocent bystander in all of this, of course. I’m deeply involved.]

(Long pause at 7:46.) If Ruburt once found himself imagining that he must be strong and perfect enough to help solve everyone else’s problems, now he found himself relatively helpless and “undefended”—that is, his physical condition put him in [such a situation]. The superperfect, impractical self-image simply fell away. It could not survive such a situation.

And as for books, early in August I returned to our publisher, Prentice-Hall, the page proofs Jane had corrected for her book of poetry: If We Live Again: Or, Public Magic and Private Love. Ordinarily that event would have delighted us, since it meant that before the year was out she’d have another work published. Instead, we despaired over her physical condition as the weeks passed. Just how stubborn could those core beliefs held by her sinful self be? Finally, we were left hoping that the sinful self’s very exposure through its own material would eventually bring about some physical improvement. That didn’t happen either. I painted in the mornings, searching for a peace of mind that I couldn’t obtain in any other way. Jane held a few widely scattered sessions for Dreams, and a number of private ones as fall came, then winter. Those sessions represented largely futile activity, I thought, yet I gladly admitted that each one of them was as unique and creative as ever, no matter what its subject. Perversely, beyond taking it down and typing it, I hardly looked at the Seth material for days at a time. Finally, early in December 1981 I told Jane I was on the verge of refusing to sit with her for any sessions at all, regular or private, for I’d become deeply afraid that the more sessions she held the worse she’d get. Again she refused to go into the hospital. At this time, Prentice-Hall sent us the first published copies of If We Live Again, but as proud as Jane and I are of that book, its appearance didn’t help her. At our small, annual Christmas Eve party we gave autographed copies of the book to close friends—the best presents we could offer. After the holidays, though, we saw few friends and no strangers.