“Seth material” search engine (Jane Roberts)

Lest I give an inaccurate picture of my wife, however, let me add that she combines instances of that seeming intransigence with a profound intuitive innocence before nature (and thus All That Is), and with a great literal acceptance of nature’s manifestations and of her own being and creations within that framework. Although she’s not entirely in agreement with me on this point, I think that essentially Jane is a mystic—not an easy thing to be in our extroverted, materialistic society, for it represents a way of life that’s little understood these days. It’s a role she’s chosen for many reasons. Mysticism is still overwhelmingly regarded as a profoundly religious expression, and one that’s hardly practical, but in my opinion neither of those situations applies to Jane. Her “mystical way” is reinforced by a strongly secretive characteristic that’s usually belied by her seemingly outgoing character and behavior. It took me a long time to realize this. I also had to learn that her literal cast of mind grows directly out of her mysticism, and that because it does, she can be quite impulsive. There’s nothing halfway about Jane. She’s intensely loyal. She’s a very perceptive person with many abilities, a fine intelligence, and an excellent critical sense. Whatever reservations she shows—her conscious inhibition of impulses, for example—are learned devices that are literally protective in nature. I’ve certainly found her particular combination of attributes to be unique, and I don’t think she’d be able to express the Seth material as she does without them. Throughout these essays I hope to add many insights into her character. For now, though, I present what I have to work with from the saddest, most mournful Sumari song she’s ever created and sung. The tape goes into our files, although I’d love to know what she said on the rest of it….

I should note, by the way, that her bedsores weren’t infected when she went into the hospital, but were less than a week later. How come? “It’s staph,” several of the nurses told us. A sign warning of infection was put on the door of 3B9, Jane’s room, and stayed there until she went home. “If the infection in that ulcer on your coccyx reaches the bone, it means at least a six-week stay in the hospital,” exclaimed Jane’s principal doctor, Rita Mandali (not her real name). Twice-daily treatments with hydrogen peroxide and a sulfadiazine cream were started. And I began to read up on how many kinds of staphylococcus bacteria alone there are, and indeed how common infections are in hospitals, since by their very nature those institutions are far from being the cleanest in town….

(Pause at 8:05.) My 82 pounds of flesh were hauled, dragged, pulled, and stretched by good-natured but often impatient strangers—nurses and orderlies and aides—and the most private of my physical processes became a matter of public record. What a shocker!

(8:21.) In this book, Seth does discuss to some degree the nature of certain illnesses as they apply to individual life and genetic survival. And there I lay in the hospital for a full month, with physical survival uppermost in my mind—hardly a coincidence. They told me that my thyroid gland was very underactive, and that I had arthritis. They X-rayed my hands but not my knees. One of the blood tests showed that I was slightly anemic. But other tests and X-rays revealed that I had sound lungs—in spite of my smoking—a good heart and stomach and other organs. I laughed.