“Seth material” search engine (Jane Roberts)

Indeed, I didn’t learn that Jane had made the tape until five weeks later, after she’d returned to our hill house from the hospital: I found it on March 30, amid others in her writing room. She hadn’t labeled it, and I began to play it out of curiosity. The song’s mournful tones swam heavily in the room. It reminded me at once of a dirge or an elegy, and I felt chills as I began to intuitively understand just how meaningful it was, even without any translation at all.

I should note, by the way, that her bedsores weren’t infected when she went into the hospital, but were less than a week later. How come? “It’s staph,” several of the nurses told us. A sign warning of infection was put on the door of 3B9, Jane’s room, and stayed there until she went home. “If the infection in that ulcer on your coccyx reaches the bone, it means at least a six-week stay in the hospital,” exclaimed Jane’s principal doctor, Rita Mandali (not her real name). Twice-daily treatments with hydrogen peroxide and a sulfadiazine cream were started. And I began to read up on how many kinds of staphylococcus bacteria alone there are, and indeed how common infections are in hospitals, since by their very nature those institutions are far from being the cleanest in town….

Joking aside, though, after her month in the hospital Jane and I ended up with a collection of medical experiences that were mixed at best—positive and negative—and most expensive indeed.