“Seth material” search engine (Jane Roberts)

Indeed, I didn’t learn that Jane had made the tape until five weeks later, after she’d returned to our hill house from the hospital: I found it on March 30, amid others in her writing room. She hadn’t labeled it, and I began to play it out of curiosity. The song’s mournful tones swam heavily in the room. It reminded me at once of a dirge or an elegy, and I felt chills as I began to intuitively understand just how meaningful it was, even without any translation at all.

“Yeah, I knew I got it—thank God,” she replied. Then we sat quietly side by side at the round card table we’d placed at one end of our battered old couch in the living room. In a far corner a sitcom rerun played on the large-screen television set. I’d turned off the sound before the session began. The whole room was bathed in a friendly, subdued yellow light. A rather strong northerly wind periodically rattled the house’s metal blinds. The whole creative intimacy of our hill house was one that we’d enjoyed many times; we desperately wanted to return to that same ambience many more times.