“Seth material” search engine (Jane Roberts)

Dramas are built around hypotheses or scenes, and these scenes in physical life determine your experience. When you realize you dwell in a safe universe, such defenses are unnecessary—and later perhaps you will see that they are as comical as a child is who screams in terror at a bogeyman. If there were a bogeyman the child’s screaming would not bother it a bit. You can expect—if you continue as you are—far greater mobility in Ruburt’s neck, head and shoulders, clearing of the ears completely, greater relaxation of the entire face and throat area in rather quick progression.

Often when the child cries about a bogeyman, what he has seen is such an image production or fibrous projection, formed by vivid desire or fear on the part of the subconscious. [...]

[...] The bogeyman in the garden vanishes at the sound of the supper bell. [...]

[...] Yet despite the surface attitude you feel, this is a duty, and you have set in your mind a bogeyman, called Orgasm. [...]

[...] Often when a child cries about a bogeyman, what he has seen is such an image production or fibrous projection, formed by vivid desire on the part of the subconscious.”