Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
Results 941 to 960 of 1262 for stemmed:bodi
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TPS5 Deleted Session April 9, 1980
spider
artist
web
esthetic
acclaim
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 9, 1980 9:01 PM Wednesday
(10:05.) The natural man has a body.
[...]
You become annoyed by the spontaneous, natural tension that is a part of your artistic being—and that tension becomes physically translated in the body.
[...]
►
ECS3 ESP Class Session, April 13, 1971
secrets
Joel
vulnerable
Ron
divulge
– The Early Class Sessions: Book 3 Sessions 1/5/71 to 5/18/71
– © 2010 Laurel Davies-Butts
– ESP Class Session, April 13, 1971 Tuesday
[...]
But the innate love within you, that you are often too embarrassed to express, forms the planet that you know, the physical bodies that you inhabit, the seasons and the reality in which you presently have your existence.
[...]
I expect you to form a new class reality and certain of you will be involved with a joint out-of-body experience and other experiences in the future.
[...]
►
SDPC Part Three: Chapter 13
dream
electrical
rem
intensities
world
– Seth, Dreams and Projections of Consciousness
– © 2011 Laurel Davies-Butts
– Part Three: Exploration of the Interior Universe — Investigation of Dream Reality
– Chapter 13: Some Preliminary Excerpts on the Dream World — Dream Locations, Dreams, and Creativity — Electric Reality of Dreams — Moment Points
[...]
Only a small amount of energy is focused into the physical system during sleep, enough simply to maintain the body within the environment.
In midnight thickets
Dreamers plunge,
While the moon
Shines calmly on.
The town is sleeping,
Bodies lie
Neat and empty
Side by side.
Appointments are made and kept,
And records scrawled in haste,
While bodies wait in crisp white beds,
All untouched and neat and safe.
►
UR2 Introductory Notes by Robert F. Butts
Volume
Unknown
reader
ideal
sections
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Introductory Notes by Robert F. Butts
Seth often advances his ideas by weaving together several themes into a complex pattern in any given session, or throughout a body of material.
[...]
In the 762nd session for December 15, 1975, mentioned earlier, Seth explained how “Unknown” Reality fit into the larger body of his material:
[...]
For the most part, then, these approaches keep the body of each session free of interruptions between break designations.
►
TES4 Session 162 June 14, 1965
Lorraine
electrical
witnesses
delivery
brogue
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 162 June 14, 1965 9 PM Monday as Scheduled
[...]
Neither, therefore, is it aware of those distortions that cause it to construct faults within physical matter, for in all cases the physical matter of the human body will be subconsciously created in line with inner conditions.
[...]
I have discussed in some detail the electrical makeup of the physical body, and of the atoms and molecules, and cells and organs, that compose it.
[...]
Again, this idea is the result of your own habit of perception, for chemicals and air and nutrients that you consider not your self, enter the self constantly from the physical environment; and that which you consider yourself, leaves through the pores of the body.
►
WTH Part One: Chapter 4: March 27, 1984
insurance
circulate
enemies
health
exuberance
– The Way Toward Health
– © 2011 Laurel Davies-Butts
– Part One: Dilemmas
– Chapter 4: The Broken-Hearted, the Heartless, and Medical Technology
– March 27, 1984 4:12 P.M. Tuesday
[...]
It is important that your ideas circulate freely, and that the ideas of the peoples of the world circulate freely, just as it is important that your individual body has good circulation.
[...]
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TES9 Session 489 June 23, 1969
pyramid
gradations
interwoven
faint
diversities
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 489 June 23, 1969 9:10 PM Monday
You are a part of other systems that you do not know, and dreaming portions of your processes exist as thoroughly in other systems as your physical body dwells in this one.
►
DEaVF1 Chapter 6: Session 907, April 14, 1980
genetic
determinism
artist
volition
actor
– Dreams, "Evolution", and Value Fulfillment: Volume One
– © 2012 Laurel Davies-Butts
– Chapter 6: Genetic Heritage and Reincarnational Predilections
– Session 907, April 14, 1980 8:47 P.M. Monday
[...]
So physically, and on his physical attributes alone, a man cannot use his free will to fly like a bird, or to perform physical acts for which the human body is not equipped.
The body is equipped to perform far better, in a variety of ways, than you give it credit for, however—but the fact remains that the genetic structure focuses volition.
[...]
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TPS1 Session 475 (Deleted) April 14, 1969
abundance
negative
Imagine
paintings
flexible
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 475 (Deleted) April 14, 1969 9:10 PM Monday
[...]
Now he thinks he punishes his body for being ill by not allowing it pleasure with you in intimate relations.
[...]
The intuitive realization came this afternoon, though he did not realize it, for it is natural for his body to bring him ease, pleasure and satisfaction.
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TPS1 Session 563 (Deleted) December 2, 1970
noncontact
tendencies
spontaneity
role
relationship
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 563 (Deleted) December 2, 1970
[...]
The kitchen once more becomes a sacred place of nourishment to him, and the food that he prepares is much more nourishing to your bodies, because of his attitude and its results upon the atoms and molecules composing the food.
[...]
He interpreted it as a sign that you were willing to nourish his body—
►
NoPR Part Two: Chapter 21: Session 673, June 27, 1973
hatred
hate
war
love
powerlessness
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 21: Affirmation, Love, Acceptance, and Denial
– Session 673, June 27, 1973 9:38 P.M. Wednesday
[...]
In your terms it is the build up of natural anger; in animals, say, it would lead to a face-to-face encounter, of battle stances in which each creature’s body language, motion, and ritual would serve to communicate a dangerous position.
[...]
[...]
It was not meant to be the cringing act of a martyr who said, “Hit me again,” but represented a biologically pertinent statement, a communication of body language.
[...]
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DEaVF2 Chapter 12: Session 940, February 3, 1982
center
homey
doorstep
prepackaged
stand
– Dreams, "Evolution", and Value Fulfillment: Volume Two
– © 2012 Laurel Davies-Butts
– Chapter 12: Life Clouds
– Session 940, February 3, 1982 8:52 P.M. Wednesday
I have not given you complicated methods concerning out-of-body travel, and yet all of our books, by changing your attitudes, will help you bring about changes in yourselves that will automatically enhance such activities.
[...]
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TPS6 Deleted Session April 29, 1982
Israel
anguish
Golda
heavily
Jowett
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session April 29, 1982 12:09 PM Thursday
(12:09.) Like I said before you went out, I feel as if some ancient swarm of wasps’ nests (long pause) have finally been touched upon or stirred up—or of angry energy that had been stored in those portions of my body.
[...]
►
TES6 Session 279 August 15, 1966
card
greeting
Tunkhannock
monumental
envelope
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 279 August 15, 1966 9 PM Monday
A projection, an out-of-body experience, is a creative act, and again all creative acts are basically aggressive.
[...]
The ego, as a rule, is frightfully leery of such action, since to it an out-of-body experience always symbolizes physical death.
[...]
Now, you see, when you paint a picture you use your physical body as a tool to create your inner idea.
[...]