“Seth material” search engine (Jane Roberts)

[...] On occasion automatic writing is utilized, or the Ouija board. [...]

[...] We opened this session by sitting at the board as usual, without asking questions. The answers, once we were underway, began through the board.

(At the board, hands on the pointer, we indicated a good-bye to Seth.

[...] We began this one with the Ouija board. [...]

Now, as Seth, I shoved the board aside and began to dictate:

(“Jane picked the name up on the Ouija board the other night.”)

(It will be noted that Seth referred to Thomas Voghler in the present tense, whereas the board noted he died in 1894. [...]

[...] To some extent, however, you are both still hypnotized by the evidence of Ruburt’s condition—where instead it should be used as a jumping-off board, as a gap to be filled with reality (emphatically). [...]

[...] (Pause.) The file cabinets were beneath another piece of furniture, or a top board of some kind. [...]

[...] We opened the session by sitting silently at the board, but Jane began to receive Seth even as the pointer spelled out his greeting. She laid the board aside and began to dictate in a normal voice, pacing as usual.)

(We said good night on the board.

(This session was not expected on our part, and took place without the use of the Ouija board. [...]

[...] We did not use the board to bid Seth good night. [...]

People often respond to the seasons in individualistic fashion, of course, using certain elements to spur them on or hold them back, using the sessions as sounding boards. [...]

(To begin we sat silently at the board, hands on the pointer. [...] After taking a few words through the board she laid it aside and began to dictate. [...]

(At the board Jane and I said good night.

[...] So let your normality serve as a sounding board for him. [...]

[...] Is it chance if you arrive too late to board a plane, for example — to find later that the plane crashed? [...]

(To begin, we sat silently at the board, hands on the pointer. [...] After taking a few words through the board, she set it aside, stood up and began to speak for Seth as she paced about the room. [...]

[...] to me represented the round bottle of ink showing in the photo on the table beside my drawing board, and to the standard color mixing tray on the drawing board itself; this contains four circular wells.

(Again this session took place without the board. [...]

I do not know if Ruburt is less nervous before a session when you do not use the board, or more nervous. [...]

([Gert:] “I just like the assurance that if I get up on that high board someone will be there in case I don’t...”)

No one forces you to go up onto the high board. [...]

Let the image in your mind flow imaginatively onto the board. [...]

Artists use perspective on a flat surface to try to capture there the feelings and experiences of depth that are, in themselves, alien to the flat canvas, or paper or board. [...]

[...] As we sat at the board preparatory to greeting Seth, Willy jumped up on it; from there he vaulted up on the bookcase, knocking the sketch to the floor. [...]

(At the board, we used the pointer to indicate good night.

[...] We sat at the board; as soon as our fingers touched the pointer it spelled out Seth’s greeting.

[...] We sat at the board and indicated good night with the pointer.