“Seth material” search engine (Jane Roberts)

[...] A casket may appear, or a black wallet fly through the air. [...]

“ ‘Election Day Sales,’ or ‘Values,’ is printed in black headlines at the top of both sides of the page. [...]

[...] The back of it is printed in heavy black.)

[...] For example, Seth said: “Connection with black, symbolic of death; and with a tournament, again symbolic, as of a crossing of swords.” [...]

[...] It is a black and white print on very thin, almost transparent paper. [...]

[...] It was a two-column notice with a heavy black border, and stated that I would be at the show on February 7,1965, from 1 to 3 PM.

[...] The orange seems to be connected with black also. [...]

[...] The orange seems to be connected with black also. [...]

Another will be born in Africa, a black man whose main work will be done in Indonesia. [...]

[...] Also, could or would Seth give any data on the religious figure already born in India, and the black man to be born in Africa?

[...] Some tar paper, used for huts or buildings, black, I believe. [...]

[...] In the first, I saw a young, black woman and a young, white woman on the corner of Walnut and Water Streets. [...]

We met at lunch in the teachers’ room where we ate with a group of women, including one lovely, black girl who was particularly intelligent. [...]

[...] Now since all of you are white, when you see a black man you think of a black man and forget his individual characteristics. [...]

[...] It’s like it was all black and white then. [...]

[...] The ideas of your society often make certain ideas invisible to you, though they are given in black and white. [...]

[...] The candle flame, now, attained its highest point of the evening; it was well over an estimated two inches in height, rising up to such a height that a thin trail of black smoke escaped from it. [...]

[...] Bill’s son is named David, he is four years old, and it is he who drew the test object, with a black ball-point pen on white paper.

(A boy handed me a long, legal-sized black envelope. Helen McIlwain’s name was the return address, written in black ink on the envelope. [...]

(Jim Adams visited today with some sample black frames for her reading glasses, and repeated to Jane what I’d quoted him as saying his friend Dr. Werner had said about Jim’s description of Jane’s condition. [...]

[...] (Pause.) An ornament that is heavy, dark green, almost greenish black.

[...] See also my tracing on page 1. The card is on white stock, printed in black ink, with the handwriting in black pencil. [...]

[...] Above me was what I can only describe as a big black thing like a bloated, blurred human form, but larger and very solid.

“The energy behind his ‘black thing’ was the energy of hidden fears, but such a thing could be formed by anyone, since there are fears in any man. [...]

Seth calls dream-created personalities (such as my “black thing”), dual-hybrid constructions. [...]

[...] With a smile:) When you want to express darkness you might paint your canvas with black instead of your magic white (a la William Alexander), so that then the use of lighter colors upon it will indicate more clearly the quality of light, at least for the painting’s purposes. [...]

[...] Ruburt’s previous position about the dishes was black or white. [...]

[...] Often, however, you both have a tendency there to think in black-and-white terms.

[...] He found a mixed world—one hardly black or white, one with some considerable give-and-take, in which under even the most regrettable of circumstances there was (underlined) room for some action, for some improvement, for some decision, for some creative response. [...]