“Seth material” search engine (Jane Roberts)

[...] The young lady works with me in the art department. [...]

[...] As I’ve shown in various notes in the Seth books, through the art of her first love, poetry, Jane presents her beliefs with an amazingly simple clarity, combining her mystical innocence and knowledge with her literal-minded acceptance of physical life.

Jane worked less and less as the holiday season approached, although on December 15 she gave her fourth private session; its most evocative subject matter—art and child psychology—is separate from our themes for Dreams. [...]

[...] Any creative act, including the production of any art, necessitates a momentary release from the ego, an escape from it, which the ego fears.

[...] It was the first piece of art work Jane had ever sold, and she was pleased.

[...] Art, you see, is also closely connected with healing. [...]

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.

[...] Jane had a couple of hours work to finish at the art gallery where she then worked. [...]

That day, in the art department where Rob works mornings, a co-worker told Rob that he had just read my story and liked it. [...]

Dream investigation or manipulation as an aesthetic pursuit — as an art, embarked upon for its own sake — this is something else again and is sometimes suspect because of its solitary nature. [...]

[...] I was alone in the art room, eating lunch at my desk, when the feeling swept over me from head to foot. [...]

[...] He is presently art director, and a member of the board.

They may misinterpret its nature, project it outside of themselves, turn it into a hobby, a chore, a religion, an art, a rigorous set of laws—but reading my books, they recognize the authority of the inner psyche. [...]

[...] These include the thousands of pages of the Seth material, regular and deleted [or private]; Jane’s and my own journals and other miscellaneous manuscripts, written records, and notes; ESP class tapes; some of Jane’s poetry and art, and some photographs of each of us. [...]

[...] … There are many times that our paths have crossed, and that is why I wanted you here and why you happened onto the art gallery where Ruburt is employed. [...]

[...] I realized I’d been blue and depressed for a week or more — upset because I had not heard from a publisher and also because I was encountering difficulties at the art gallery.

(On Monday, November 4, I mailed to Jane’s publisher all of the art due for her Adventures in Consciousness: An Introduction to Aspect Psychology: the 16 diagrams I’d just finished, plus two older pieces of work. [...]

[...] [Bill Gallagher later verified this, telling us that a professor of Tibetan art at Cornell University, in Ithaca where they had bought the statue, had so stated. [...]

[...] Note the similarities between that art and Peggy’s drawing above. [...]

The material in Volume 1 on the dream-art scientist, the true mental physicist, and the complete physician (as well as on science in general), applies here. [...]