“Seth material” search engine (Jane Roberts)

[...] Give us a moment … We will have more to say very shortly about our dream-art scientist (see the last session); yet there are also other important ways that could be used to study the nature of reality. [...]

[...] And when you compare your technologies, learning, logical thought, cultures and arts with what you understand of animal experience, there seems no doubt that you are superior and “the Flower of Evolution” — that all other kinds of life are topped by your existence.

It is learning the art of actualization. [...]

YOUR LIFE AS YOUR MOST INTIMATE WORK OF ART, AND THE NATURE OF CREATIVITY AS IT APPLIES TO YOUR PERSONAL EXPERIENCE

At the same time he chooses words as the basis for his art. [...]

[...] I have been very careful in my use of the word love, because it is so bandied about and distorted—but all creativity, and any work of art, and any life, springs from love—a love that automatically brings all things into their own kinds of order. [...]

[...] They may appear in the form of fantasy, fiction, or art work, without the conscious self realizing their origin. [...]

[...] She touched upon many subjects in her highly original poetry and art. [...]

Excellent art will triumph always, because it speaks clearly. [...]

[...] However Jane would have worked in an art gallery—this experience was ahead of her, not foreordained but ahead of her in any case. [...]

[...] The intimate life of a person in one country, with its culture, is far different from that of an individual who comes from another kind of culture, with its own ideas of art, history, politics or religion or law. [...]

[...] Replying to all of those who have asked: So far I haven’t had the time to do more than short essays on art, Seth, the fairly recent deaths of my parents, and a few other topics for Through My Eyes. Certainly I won’t be able to work steadily on the project until Volume 2 of “Unknown” Reality is ready for publication.

(10:42.) Enjoyment of an art is also very therapeutic, and its creation springs from an exquisite wedding of the conscious and unconscious minds. [...]

[...] Ruburt also had a dream which gave him clear warning of trouble, the dream in which he was at the home of the art gallery president. [...]

[...] You have the propensity to form dazzling mental and psychological creations, such as your arts and sciences and religions and civilizations. [...]

[...] Almost always the arts are involved, and serve as a medium as far as the physical expression is concerned. [...]

[...] (Miss Bowman was my high school art teacher.)

[...] You trust the creative process in art. [...]

[...] You require certain things of your art, and therefore you want the same things in your environment. [...]

[...] Why haven’t others—our scientific, religious, and political leaders, or those in the fine arts, say—come up with ideas similar to those espoused by a Seth, and why aren’t those ideas common today? [...]

[...] You are creating an art that exists now, though you cannot see it, but only sense it at times.

To some extent, it is because you have accepted the newspapers’ view of reality as real, that you have allowed yourselves to dwell upon certain attitudes about your fellows—so that for example sometimes the world does not seem to deserve great art; or that you even feel you do not want to share your work with the stupid bastards (Seth said, staring at me. [...]