“Seth material” search engine (Jane Roberts)

[...] I wasn’t about to let my art be compromised for any reason. [...]

[...] As in art, so in life—then both of you possess that childlike and yet wise spontaneity and freedom. [...]

[...] In the same way, if you want excellent art reproductions in a book, it is dumbness to concentrate upon the inaccuracies and errors that might happen instead.

You (me) even arranged it so that the kind of art you wanted to do could not be done in the accepted framework of artistic reference, but would necessitate such a growth of consciousness. [...]

[...] Our books are being read by many “important people” in medicine, science, religion, and the arts. [...]

[...] It is a psychological art of its own, taken for granted in all circles. [...]

[...] My art is, for whatever reasons, private. [...]

These beliefs are centered around artists, writers, poets, musicians, actors and actresses, or others who seem unusually gifted in the arts or in various other methods of self-expression. [...]

[...] Ruburt was used to his writing abilities, and he was used to subordinating his psychic abilities where they could be safely enough handled through the guise of art.

[...] Though the primary “responsibility” is his, of course, yet each of you in the same fashion “conspired” to explore art, psychic realities, and the search for knowledge together. [...]

There is something I will tell you someday about your art.

Poetry came the closest, and yet the form of that art still could not carry the full weight of the knowledge he knew was available. [...]

[...] I hope she’ll come to see that living—sheer survival—comes first, then work/art. [...]

[...] My own reaction to the events in our lives over the years was that consciously we had reached limits, and that it was beholden upon the rest of the personality—Jane’s especially—that it recognize this and back off enough from its own goals so that the physical body could recover, at least enough to ensure survival and a working life in which it could deal with life’s daily goals, and arts, too. [...]

[...] As often happens the original art was later found after I had duplicated it. [...]

[...] A machine of this type is a standard in most art departments.

[...] Obviously there were people around the art room whom I do know.

[...] This is an effect I noticed at work while making the tracing, but the illusion disappeared on the finished art.

(4:16.) Another life, for example, might deal with exquisite health and vitality, and as mentioned, still another life might be devoted to the arts of healing — but overall, few people take health problems per se as frequent reincarnational themes, though they may be implied strongly in situations where one is born into a large populace of poor, underprivileged people.

[...] With creative people, however, there are always intrusions, hints or clues from ways of thinking that certainly appear foreign, and creative people use those hints and clues to construct an art, a musical composition or whatever. [...]

This was a trio that appeared at the Arnot art gallery.

[...] The Lilliard trio used to play at the art gallery when Jane worked there a couple of years ago. [...]

Here you encounter all of the ambiguities that have always been connected in this life with your art. [...]

[...] And two: one of you had to make money with your art or you would not survive. [...]

[...] The left hemisphere, being more analytical and intellectual, would have dreams embodying those qualities; the more creative right hemisphere would have dreams involving symbols, the arts, and the emotions.

[...] The imagination, playing, the arts and dreaming, allow it to enrich its activities by providing feedback other than that received in the physical environment itself.

[...] And this is the force that is behind your own art and all creativity. [...]

[...] Art comes from raw emotion, within your system at least, that is then crystallized and disciplined. [...]

[...] More and more I’ve come to admire—revere, even—the single-minded, childlike devotion artists like Avery and Cézanne had for their art. [...]

[...] The original functions of art—meaning poetry and painting here specifically—have been largely forgotten. [...]

His specific art (pause) was both his method of understanding his own creativity and a way of exploring the vast creativity of the universe—and also served as a container or showcase that displayed his knowledge as best he could.

[...] Also involved is, as Ruburt correctly picked up from me, a group of accomplishments that we will call the psychological arts. [...]

The very impetus and charge of the energy propels you both in to new byways in your arts and in our work. [...]

You have chosen to divert and use tremendous charges of energy in your final reincarnations, and your own art will make its way for this reason. [...]

[...] You turned it to art’s purposes.

[...] Men may react to future events by unconsciously translating them into art, or motion pictures. [...]

[...] Miss Bowman was my art teacher in high school. She lent me the money to go to art school in New York City. [...]

[...] The poetry is an excellent merging of his metaphysical interests and his art. [...]