“Seth material” search engine (Jane Roberts)

[...] As session time approached Jane no longer felt nervous. [...]

[...] The painting represented a new approach in art for me, and had caused me a good deal of puzzlement at first. [...]

I wrote in the Introductory Notes that I thought Jane’s speed in producing the Seth material was “a close physical approach to, or translation of, Seth’s idea that basically all exists at once — that really there is no time …” I’ll add here that the phenomenon of double dreaming can be another way of approximating the idea of simultaneous time (or lives), about which we as physical creatures always have so many questions.

[...] Once, he grabbed the notes from the bureau and approached me like some wrathful god, waving them in my face. [...]

[...] As was usual in those days, I began to get the jitters as 9:00 P.M. approached; we finally decided not to use the recorder that night but to wait until the next session and give ourselves time to become acquainted with the gadget.

[...] At times it became louder, but never approached the volume of the 158th session, for example. [...]

[...] You approach a transmigration of plane.

She will be much more content and pliable to reason if you can manage, regardless of your intellectual tendencies, to approach her in that light. [...]

[...] As 9 PM approached I watched Jane to see if she would give any sign that she was aware of Seth, or that he wanted a session. [...]

[...] While other avenues are being used to approach financial gains, in this case they are relied upon too long. [...]

[...] The first question I presume refers to growth in the terms in which growth is usually considered, a coming toward maturity in terms of physical and mental approach to a hoped-for fulfillment.

[...] Her voice was quiet and she used pauses, although her pace picked up considerably as first break approached.)

[...] This he did do, though often approaching the same topic or impression in new language. [...]

[...] It will also be rather unorthodox—more like a series of conscious and unconscious reminiscences and free associations, moving back and forth in time as I approach sets of ideas from various angles while seeking to learn more about my wife even now, 18 years after her death. [...]

[...] This approach included what I thought Jane allowed him to say.

[...] Evening was approaching at the end of my 200-mile trip when we met. [...]

[...] As the months passed I became more and more consciously caught up in the signs of her approaching physical death. [...]

[...] However I am aware that we have approached the time of our usual closing, and you may continue or not, as you prefer.

8. Strange — but recently I visually approached the idea of interrelated consciousnesses in two pen-and-ink drawings for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time: I incorporated humanoid features on large rocks. [...]

[...] I was not aware of Ruburt’s approaching indisposition at our last session, although I knew his overall condition was not of the best.

[...] I have mentioned many times how vitality changes as it approaches and forms various planes. [...]

When he approached the hill in Perspective Two, he spoke to the contractor who was there before him. [...]

(The tests concerned two main approaches. [...]

[...] As Jane wrote, she realized that the questions she had been struggling with in Adventures had triggered a new psychology, a new way of approaching the creative portions of human personality.

Since Seth obviously sees little real difference between the concepts of fields and wave/particles, I’d say that in the 775th session he cast his material in accord with the latter so as to make it as clear as possible to us who are so bound by ideas of space and time: “In those terms …” But overall the physicists discuss energy and Seth talks about consciousness — and therein, as I see it, lies the basic contrast between the two approaches to reality.