“Seth material” search engine (Jane Roberts)

(An obvious connection I had never consciously made; since I enjoy using apples, oranges, fruits, eggs, etc., for models.

[...] Remember in your painting the relationship of one object to another, not in terms of space necessarily, the interrelationship of the vitality that forms the objects; the vibrating always changing reality within, say, the skin of the apple or the orange, the quite living consciousness within the molecules that make up what seems to be the solid surface of the fruits’ skin.

[...] Under such conditions it seems only rational to look for the worm in the apple, so to speak, and to expect pain or danger in each new experience or encounter.

There is a connection with something that is round as an apple; that is, round like an apple but smaller in size, and it turns perhaps on the end of a chain. [...]

[...] If it were not for television and technology and the official line of consciousness, you would not know of the fanaticism of Anita Bryant and our Miss America, American apple pie, good religion and all the rest. [...]

[...] It is like the seed from an apple tree who travels into the next yard but does not mature. [...]

[...] Though I have no gold stars to give you, you may leave Ruburt an apple. [...]

[...] Both of you have refused to come to grips with it and have been afraid of making any physical moves, or upsetting the apple cart. [...]

[...] Cells, as entities, do not drop off [the physical form] like apples. [...]

[...] I see that you have it out on the desk for me, as if it was an apple for the teacher. [...]

[...] You are the apples of my eye, you two.

[...] It does not regard art as a game, exactly, but it does not expect the same rules to apply, either, to a painted apple on a canvas and a real one. [...]

[...] This expansion occurs in infinite dimensions, as perhaps it could be said that an apple develops about its core; and that perhaps is not a good analogy.

You see, your idea of geometry, the circle, triangles and squares, are so based upon your own plane that the apple analogy containing the circle idea will be inadequate, since not enough dimensions are implied. [...]

Sense images are built up, you see, in the same manner whether or not you are trying to perceive an apple, a star, or a human being. [...]

If you remember that beneath all, each unit of consciousness is aware of the position of each other unit, and that these units form all physical matter, then perhaps you can intuitively follow what I mean, for whatever knowledge man attains, whatever experience any one person accumulates, whatever arts or sciences you produce, all such information is instantly perceived at other levels of activity by each of the other units of consciousness that compose physical reality—whether those units form the shape of a rock, a raindrop, an apple, a cat, a frog or a shoe. [...]

His condition was the result of denying feelings and trying to hold them back again, so as not to upset the apple cart. [...]

[...] And you did not want anything to upset the apple cart. [...]

[...] Eve, rather than Adam, for example, eats of the apple first because it was the intuitive elements of the race, portrayed in the story as female, that would bring about this initiation; only afterward could the ego, symbolized by Adam, attain its new birth and its necessary alienation. [...]

[...] An apple for example as it might be seen by a fly. [...]

If you go to your landlord’s, do not use the apples if they are given to you. [...]

[...] The apples did provide the painting connection with the girl, and the dream was very simple—a distorted view into tomorrow’s mirror. [...]

[...] Do you dream of an apple? The apple appears in the field of probability.

[...] Their severe religious training made them feel that any luxury was sinful —and so they set about to upset their own apple cart. [...]