“Seth material” search engine (Jane Roberts)

(Today, for the first time since we received it on July 7, we didn’t apply DMSO to any portion of Jane’s anatomy. I thought it a good idea, myself, so when she slept until 10:30, and then became busy talking to Frank Longwell about the conversion of our front porch to a glassed-in affair, I didn’t ask that she try any. Her stomach was okay except for a couple of brief episodes of that strange feeling mentioned in my own DMSO notes, so we don’t know really whether or not the drug has any connection with the stomach sensations after all. Jane did experience feelings of panic when she moved from her chair to the bed, and on another occasion. She hadn’t wanted to try getting on the bed from her chair, but I talked her into making the effort, and she did very well. She was quite relieved.

[...] I’d felt somewhat better after Seth’s information about those portions of my anatomy in the deleted part of the last session, the 846th, for the previous Wednesday. [...]

Delicious anatomy —

[...] During this time Jane moved her arms and hands—which look better—and various other portions of her anatomy. [...]

[...] Once again I felt improvements in those parts of her anatomy, and encouraged her to keep them coming.)

(I should note that starting yesterday I became conscious that I was doing a good deal of scratching of various portions of my anatomy—principally on my lower legs underneath my stockings, and on my forearms. [...]

[...] You may have been told, or you may have read about the body’s anatomy, and the interaction of its parts. [...]

[...] He said John had cut his tongue on a bone sliver while eating, but because of the human nerve structure in that part of the anatomy the pain had been felt down in his neck.

(“How about rubbing the peanut oil into parts of his anatomy that bother him?”)

[...] Your heart beats whether or not you understand anatomy.

[...] Her walking continues to improve, as well as her anatomy generally. [...]

[...] While there, Lottie noticed that Jane has put on weight in her breasts and other portions of her anatomy. [...]

[...] As an artist painting human figures, I am often concerned with anatomy, though usually of the head and features. [...]

[...] But she was blue earlier today, when various portions of her anatomy bothered her. [...]

Sorrow or fear obviously show different faces—not only (long pause), the anatomy and the structure [that] forms the living face, but the emotions within that give the muscles and the structures meaning, and that play upon them. [...]

(I did say that her walking was the key to recovery: The more she walked, the less the pressure in any consistent way on other parts of her anatomy. [...]

You are told what to look for; you are as cursed — far more — as any native in a tiny village, only you lose breasts, appendixes, and other portions of your anatomy. [...]

(This afternoon, when I returned from running errands—paying state and federal taxes, etc.—Jane told me that she was having all kinds of “weird things” happening in her back and legs, as though various portions of her anatomy were loosening at uneven rates. [...]