“Seth material” search engine (Jane Roberts)

[...] They act often like barriers, or coats of armor, and according to the situation another person must first confront this condition or coat of armor, if he ever hopes to establish contact with the personality. [...]

[...] In such a state you do not seem to experience yourself directly, and indeed in the midst of what you think of as the waking state you act in the most mechanical of fashions, following habit and being less aware of sensual stimuli.

[...] It is impossible for you to perceive in the same direct fashion the majestic, almost unimaginable field of creative action in which any of those events occur, however, in which each act, however seemingly destructive, has vital creative purposes that may or may not appear within the limited references of your conventional dimensions. [...]

[...] You reinforce the destructive qualities by the very act of concentrating upon them, and you rob yourselves of the constructive qualities that you could be concentrating upon, and therefore that you could be reinforcing.

[...] But they act within the physical structure, forming then definite changes in the RNA patterns.

When he felt he could not act following his uncompromising nature, he attempted to submit, you see. [...]

[...] And so the landscape, not one but many landscapes in one, for while it is unique in a given moment, still it is a composite in your terms of the pasts that have formed it, and the futures that act upon it even now.

That analogy will help you at least intuitively understand the existence of situations such as suffering, and poverty, that otherwise seem to have no adequate explanations (as Jane and I were discussing today). I hope also to account for behavior on the part of nature that certainly seems to imply the survival of the fittest in a tooth-and-claw fashion, or the punishing acts of a vengeful God on the one hand and the triumph of an evil force on the other.

[...] You can choose to believe me, and to act upon what I tell you, or you can choose to ignore the implications of what I say. [...]

[...] Before, the eyes, ears, sinuses, and jaw area often acted under relatively, now, stationary conditions. [...]

[...] They must act on a minute-to-minute, second-to-second, microsecond-to-microsecond basis, even though their own orientation is not familiar with your time concept.

[...] It does mean that the male so divorced himself from the common fountain of love and sex that the repressed energy came forth in those aggressive acts of cultural rape and death, instead of birth.

A good number of nuns were of course carrying the seed of those priests, and bearing children who acted as servants in monasteries, sometimes, as well as in convents. [...]

Your acts ripple outward in ways that you do not understand, interacting with the experience of others, and hence forming world events. [...]

[...] Ruburt acted as naturally as possible today, reminding himself to be spontaneous. [...]

It is possible for you to project to a future event in which you will be involved and by an act that you make in the projection, alter the course that this future will take. [...]

[...] When you explore the inside of a concept, you act it out. [...]

[...] (Pause.) The old man also stood for old man time in the dream, and reinstated the fact that an executor is important, for the old man also stood for —in the dream, now—Ruburt’s father acting as his own executor—meaning that his nature led him to leave ends loose.

[...] Even if I could manage to force Jane out of one of them, in an act of desperation, [...]

[...] Thus sound, even though detected by ear, would act also as a stimulus to the body’s detection of the same sound via feeling.

[...] Right now I act more as a monitor. [...]