“Seth material” search engine (Jane Roberts)

(“Yes, did we use this ability while we were there in front of the house?”

“Oh, yes, I will. [...]

[...] See the verse from her early poem, Summer Is Winter, which precedes these notes.) As I see it, her task with the Seth material is to place these basic artistic ideas at our conscious service, so that their use in our daily lives can change our individual and collective realities for the better; and by “artistic ideas” here I mean the deepest, most aesthetic and practical — and, yes, mystical — truths and questions that human beings are capable of expressing, then contending with. [...]

(“Yes,” I said to Seth over my shoulder. [...]

“Yes,” I said, “but I could ask a lot more of them.”

“Yes….”

[...] (“Yes, I’m convinced that you have reached Jane, just as I have.”) I’m not contradicting myself when I note that perhaps — and I’ve suspected for a long time that ultimately this is correct — it is true that on some far levels of consciousness and communication that we do not (or even cannot) understand at this “time,” each person who is so inclined to do so has at least touched a Jane who responded clearly enough. [...]

Enjoying the sounds of life in the mysterious nighttime, I intuitively understood that not only did I want to mention in this Preface the feelings Jane and I have about Three Mile Island as a technological and scientific entity, embodying man’s attempts to extract new forms of energy [and yes, consciousness, in our joint opinion] from the far more basic and profound quality Seth calls All That Is; I also knew that I wanted to indicate how the very idea of nuclear energy, as an attribute of a national focus, compared with the situation in the Middle Eastern country of Iran. [...]

[...] When I asked if these could be photographed he said yes.

[...] Not that all of our friends hadn’t known of Jane’s physical symptoms for some time, but that Jane, with her innocence and determination—and yes, her mystical view of temporal reality²—had for the most part refused to put herself on display, as she termed it: She felt that she should offer something better to herself and to others, even with all of the intensely creative work she’d done for herself and for others over the last 17 years.

[...] On the evening of the 4th—yes, we “worked” on the holiday because Jane felt like having a session, and because “time” had become so precious to us—Seth came through with some very interesting new material as a result of our questioning.¹⁸