“Seth material” search engine (Jane Roberts)

We have mentioned reincarnation hardly at all (but see the 631st session in Chapter Seven), yet here let me state that the theory is a conscious-mind interpretation in linear terms. [...]

[...] (Pause; my interpretation; her eyes closed, Jane attempted to write in the air with a finger the words she tried to pronounce.) De, I believe, seven—Savrantinos (halting pronunciation) I said concordi—Concordiat de Savrantino.

[...] Joseph in Seven is a representation of another portion of your being that is connected with Bill Macdonnel. [...]

Your father fulfilled his main purpose in this existence, and was satisfied, sometime within five to seven years after his marriage. [...]

[...] They went to their room shortly after seven, and leave it again. [...]

[...] This is one of the very few times, in seven years of sessions, that she has had any voice interference.

[...] I’ve finished for publication Emir’s Education in the Proper Use of Magical Powers (the entire first chapter came in a dream), and The Further Education of Oversoul Seven. [...]

[...] The ratio minus zero over one three seven, leaping back now to the other.

Jane dealt with some of her own concepts of time — one of them being, for instance, that the past has its own past, present, and future — in her novel, The Education of Oversoul Seven, published by Prentice-Hall, in 1973.

(Shortly after Jane finished Seven, the entire idea for what she calls “Aspect Psychology” came to her — an “intuitive construct” that she thought was large enough to contain her experience. At one sitting she wrote 20 or so pages of material in which she understood her relationship with Seth, Seth Two, the Sumari, the characters in Seven, and other psychic concepts — all as aspects of a larger self that was independent of space and time. [...]

[...] At times the creative pace grew even more complicated: From March to July 1972, she put Adventures aside completely to write her novel, The Education of Oversoul Seven, when that idea spontaneously came to her. [...]

[...] I don’t think the time gap between the two sessions — seven years — was a factor.

29. See Chapter 17 of Oversoul Seven, for instance. [...]

[...] They have even, at times, kept the books in print that were selling poorly for a period, though this did not obviously apply to Seven. [...]

[...] It is a part that can understand why you (VM) have so related to this man; it is a part that can understand why the five, and seven, and eight-year-old girl that you were has related to this man, and not independently gone on. [...]

[...] I wrote the following notes in October 1975, some seven months after Jane and I had moved into our “new” house:

[...] Symbolically, Seven (Oversoul) was important because the book showed Ruburt the wedding of psychic ability and creative ability, emerging as fiction and art form, and his baby.

(“Number seven: Are you going to talk about Seth II in this book?”)

(Shortly before the session I showed Jane copies I had made of material Seth gave very early in 1964—just after the sessions began; the nine Inner Senses, taking up nine typed pages, and the eleven Basic Laws of the Inner Universe, taking up seven typed pages.

One is the cancer drive literature, and television “public service” announcements, in which the seven danger signals of cancer are given. [...]

[...] I am myself … You are death and you are life … Ruburt can do many things that surprise me — that I did not do in my past, for remember that fresh creativity emerges from the past also, as in [Ruburt’s novel] Oversoul Seven. [...]

CHAPTER
SEVEN:

Out-of-Body Episodes—
I Pop into a Taxi
While My Body Stays at Home

At the same time, he was to be denied his rightful place as a writer (as I’d said earlier), to defend this new position—a position moreover that seemed to change all the time—for beside my books there was Seven, Sumari, and later Cézanne and James. [...]