[...] Your bodies not only change completely every seven years, for example. [...]

Seven: The spacious present is here more available to the perceptions.

(On top of all of this, we received from Prentice-Hall on Monday the revised movie contracts for Oversoul Seven, and now must see Bill Danaher again about new notarization, etc. [...]

[...] You had an existence in which your art matured early, as Josef in Ruburt’s Seven. [...]

[...] He actually concentrated upon Seven, typed it creatively, walked several times a day, began to help with meals and with the house, and comparatively speaking you both had a fairly good week. [...]

[...] Tam is due next Thursday, bringing the copyedited Seven with him.... [...]

Four seven one. [...]

(“Four seven one.” [...]

[...] Doctor Kiley is also dead, has been for some years, at least seven, and was a brother of Helen McIlwain; she was in my dream of November 8, relating to my mother and Seth’s subsequent statements concerning her death. [...]

[...] Jane received from Oversoul Seven last February 20th a page of material about techniques, methods, and concentrating on doing “what’s right,” that I think is the best information we could possibly get, no matter what the source. [...]

[...] (Re Seven III.

[...] He began thinking in terms of what he could do, so that now we see that he is not only physically desiring to do more, and trying it, but also mentally stimulated, and with a new sense of purpose as far as “Unknown” is concerned, and a desire reawakened to play with Seven.

[...] A mill or mileogram (my interpretation), Seven, perhaps seventh floor.

Pretend that you have seven dreams at once and you the dreamer know that you are dreaming. [...]

[...] She hasn’t touched Seven III. [...]

Ten-o-seven. [...]

A distant connection here incidentally with a birthday and the number seven.

(“A distant connection here incidentally with a birthday, and the number seven.” [...]

1. I also kept track of Jane’s progress as she wrote the Introduction for Mass Events. She finished that excellent piece of work seven months ago—a few days before she delivered the first formal session for the Preface to Dreams, the 881st, on September 25, 1979. [...]

[...] The books and Seven will do even better. [...]

[...] You would find it hard to express pleasure with a given cover, or you would forget, as with Seven Two, for its attributes would seem lost in your larger displeasure. [...]