“Seth material” search engine (Jane Roberts)

(Timothy Foote, senior editor in charge of the book review department for Time Magazine, interviewed Jane and me today in connection with a cover story he is to write about Richard Bach and Jonathan Livingston Seagull.

(Timothy Foote told Jane he would review Seth Speaks for the magazine. We didn’t ask him to do this. He told us his review for Richard Bach wouldn’t “be hostile;” he didn’t particularly like the book. Jane, liking Timothy Foote, told me later that had he stayed for the evening she would have had a session for him; yet we feel there were reasons he didn’t stay, and that things worked out for the best all around.

(Richard Bach cover story: November 13, 1972.)

Eleanor’s and Richard’s acceptance of Ruburt, and of all his abilities, was important also. I told you that your own work would show greater development, and so it will. And in its own way it will also deliver the same message, and there will be a gallery connection for you.

(Timothy is Timothy Foote, book editor of Time Magazine, who interviewed Jane last Friday, October 13, concerning a cover story on Richard Bach, etc.)

(Jane and I were most pleased to be included in Timothy Foote’s story about Dick Bach in the issue of November 13, 1972. [...]

(At about the same time Emir was mailed, Jane sent Richard Bach “a crazy poem” that she’d written a couple of days earlier. Sunday, Richard called us from either Nevada or California. [...]

(Certainly the Richard Bach-Eleanor Friede affair is reactivating a probability that was available, of course—or one could say that Jane decided to draw from Framework 2 those certain elements to work with in Framework 1. Interesting to see what happens.

Dick Bach is correct: you are affecting your times far more than you may suppose—else how could you be so imitated, or how could there be so many instantly manufactured Seths? [...]

(Richard Bach and his editor, Eleanor Friede, who witnessed the 618th session for September 28, 1972. [...]

(Add Data—October 11—call to Jane from Timothy Foote, of Time Magazine —re cover story on Dick Bach. [...] Telling me about it—we also reread this session—Jane said it would be more than a casual mention of The Seth Material in the article, and that now she could “feel a tremendous amount of energy gathering around” the fact of Dick Bach, us, Seth, etc.

All Dick Bach needed that night after Robert Browning was another fancy tale. [...]

[...] Eleanor Friede and Dick Bach both stressed this. [...]

[...] Before the session I asked if Seth would discuss the Time Magazine cover story about Richard Bach in the November 13th issue, published November 6; and the various predictions made re sales, etc., in the recent deleted sessions.)

(We thought the session was over, but began discussing Richard Bach’s postcard of November 10, mentioning that he could accept a reincarnational hint or two. [...]

(Notes: Richard Bach and Eleanor Friede called Jane Monday afternoon, November 27, from Bridgehampton, Long Island, before Dick flew back to Carmel, California, and I read this copy to them. [...]

For Richard the name Andrews (spelled) or Andrus is significant. [...]

[...] Richard then learns to operate the controls, and revels in the expertise. [...]

(Richard Bach, the author of Jonathan Livingston Seagull, left this morning after having been our guest since Monday, the 28th. He called Jane last Friday from his home in Bridgehampton, New York; he wanted some insights into his writing of Seagull; Richard attended ESP class last night, and heard Seth, Sumari, etc. [...]

It is therefore no coincidence that Richard was a student of Nebene’s, and the material on the reincarnational aspects (that Jane gave in ESP class last night) is quite correct. In so helping Ruburt, he (Richard) is also paying back a service to Nebene, for he owed him much.

(Richard’s editor at Macmillan wants to see whatever work Jane has available, that is uncommitted.)

His reading for Richard was also symbolic. [...]

[...] Possibly Richard Bach and his editor, Eleanor Friede, were involved. [...]

(A note: Jane received a letter from Richard Bach the next day. [...]

(Yesterday Jane and I read the Time magazine cover story for November 13, 1972, featuring Richard Bach and his book, Jonathan Livingston Seagull. [...]

(It isn’t necessary to go into dates and other details here; but several days before we were told that the Bach story’s originally scheduled appearance in late October had been postponed, Jane had a vivid dream giving her that literal information. [...] Actually Time’s design showed a seagull superimposed over Dick Bach’s head, partially obliterating it.

(Re the sentence by Seth about a book for Macmillan Co.: Richard Bach, of Seagull fame, and his editor from Macmillan, Eleanor Friede, are to visit us on Tuesday, September 19, according to a note Jane has received from him.)

[...] He wants to talk to her later this week in connection with a cover story he is to write about Richard Bach. [...]

(The session was witnessed by writer Richard Bach and his editor, Eleanor Friede. [...]

(Some notes added later: Dick Bach felt that he didn’t really write Seagull himself. [...]

(Now here are some near-verbatim quotes from the information Seth gave Dick Bach and company on the evening of September 27, 1972: “Information does not exist by itself. [...]

He will not brook interference from anyone, including Richard Bach, in terms of dealing directly with the publisher of his own works. [...]

(Pause at 10:05.) Even poetry did not seem to be work for a while, for example, nor did psychic activity for its own sake (Long pause.) All of this in its way fits together with other material—but no writers of merit, for example (intently), outside of Richard Bach, have written him to applaud his work, and to the writing community it seems he does not exist. [...]

[...] One of them was Richard Bach, author of the very successful book, Jonathan Livingston Seagull.³