“Seth material” search engine (Jane Roberts)

[...] I told her I thought the material was very rich and evocative. [...]

(Jane’s “adventure in consciousness” was so rich,⁵ even from my observer’s viewpoint, that my attempts to describe it seem terribly inadequate by comparison. [...]

He has had many experiences in which he glimpsed momentarily the rich otherness within physical reality. [...]

[...] Our rich man just mentioned may suddenly realize that his belief is limiting, in that he concentrated upon it exclusively so that money and health became his sole aims. [...]

[...] You are biologically and psychologically predisposed to grow within that rich environment, to contribute on all levels to the fulfillment of your species — but more than this, to add your own unique viewpoint and experience to the greater patterns of consciousness of which you are part.

[...] Any other approach would rob the material of rich dimensions, for I am the proof in my own pudding, you see. [...]

[...] Now if you happen to be Protestant, male, white, American, rich, and healthy, at least within the framework of your beliefs you can look at yourself with “clear” eyes. [...]

The Christian concept of heaven with its riches, God and his bounty, the source of nature itself—all of this in our terms was a symbolic structure describing in storybook terms the attributes and characteristics of Framework 2.

[...] The body and mind both need stimuli, variety, and richness, and his nature automatically seeks expression, not repression.

Physically, an oak tree may cast a rich deep shadow upon the ground. [...]

Males who are creatively gifted find themselves in some dilemma, for their rich, sensed creativity comes into direct conflict with their ideas of virility. [...]

[...] Often I participate in Seth’s great energy and humor, for example, enjoying a sense of emotional richness and encountering Seth’s personality on a very strange level. [...]

[...] If so, this is an excellent instance of multidimensional art, done at such a rich level of unconsciousness that the “artist” is unaware of her own work and as much intrigued by it as anyone else.

[...] Those events also added high drama, rich content, and provided unique creative material. [...]

[...] She’s also working on her autobiography, From This Rich Bed; this has been under way for some months.

[...] They try out the roles of other family members, imagine themselves rich and poor, old and young, male and female.

[...] The rich unconscious is wasteful in those terms, since it seems to you that it contains memories and sensations that are not used in practical everyday life.

[...] Each individual has his or her own style of thinking, a peculiar, rich, individual mixture (pause) of speculations, fantasies, (pause) ideocentric ways of using subjective and objective data. [...]

(“Not since the sessions started [in 1963] have I felt that Seth’s material was so richly available. [...]

[...] The opportunities for growth and development are very rich, however, and the learning methods at your disposal very effective.

[...] Those rich experiences will not form a part of your conscious life because of your belief.

[...] (Pause.) The endeavor hardly made him rich however. [...]