“Seth material” search engine (Jane Roberts)

(Pause.) I do not have our friend directly. [...] (Pause.) There is some reaction with sepia, that can lead to an unpleasantly or undesired purpling effect.

[...] (Pause.)

[...] (Pause.) Mr. Edwards admits that he calls upon surviving personalities, healers who have survived death in your terms. [...]

[...] (Pause.) This was his primary battle, for he understood finally what the illness represented. [...]

[...] Her pace was very slow and filled with pauses. If I indicated her pauses as in the last session, their frequency would mar the text.)

(Jane now took one of her frequent pauses. At break she told me that as she spoke the word dense, and during the pause, she had a rather strong mental image of a field of points of light. [...]

[...] She said she has no feeling of strain during the pauses. [...] Jane hears nothing within during pauses, all is quiet.

(Jane now took a very long pause.)

(Long pause at 4:25.) You do not “catch” a drought. [...] In the same way diseases in their fashion are also often parts of larger processes whose greater purpose is the body’s overall balance and (long pause) strength.

[...] (Long pause.) In this book, we do want our readers to look at body and mind in a different fashion.

It is obvious that you impress a room with your characteristics as you furnish it, but you also mark (long pause) what seems to be empty space in the same fashion — that is, you turn empty space into the living matter of your body without ever realizing that you do so. [...]

(Long pause at 4:30.) You cannot see the wind directly — you see only its effects. [...]

(12:09.) Like I said before you went out, I feel as if some ancient swarm of wasps’ nests (long pause) have finally been touched upon or stirred up—or of angry energy that had been stored in those portions of my body. [...]

[...] That the soreness and so forth —really wild—was a reaction as the swirling energy was stirred (very long pause at 12:13) and allowed to escape at least partially—probably only as much as you could allow at once. [...]

[...] And what it meant was that Israel itself was a simile for the individual —that is, one person—who was (long pause) composed of so many fantasies and dreams and prophecies and hopes and angers and fears. [...]

(Long pause at 12:21.) It was and is pretty wild. [...]

[...] The abilities must be used, the creative urges therefore fully utilized in all areas—the psychic, the spiritual (pause), the more earthy writing and painting, for this energy sweeps through the personality and cannot be dammed up. (Pause.)

[...] Pauses occasionally, but pace varied considerably, from quite fast to very slow. [...]

[...] (Long pause at 9:30.)

[...] It exists in intensified mass entangled and intertwined with moment points, perhaps like one infinite cell, existing however in endless dimensions at once (pause), and reaching out through interconnections even from my own reality through others to your room.

and within my head (pause)

[...] (long pause)

over paths that form (long pause)

[...] (a one minute pause at 9:06.) There is some reincarnational influence, in that you and she were acquaintances (long pause), of a minor variety, however—once in your Roman soldier existence, and I believe in the Denmark one. (Long pause.) You were on the periphery of each other’s attention. [...]

(“All right,” Jane finally said as she took off her glasses and began speaking for Seth with many long pauses:)

(Long pause.) Your mother believed that a man should work so many hours a day in conventional ways, whether he owned his own business or worked for others—and also of course that he should have a family. [...]

(8:32; eventually a one-minute pause.) The symptoms have served to “allow you” a certain privacy, A certain detachment from the world, while at the same time providing a way of relating to others, of sharing life’s misfortunes so that it might not be said, for example, that as artists or people you lived in an ivory tower, untouched by life’s usual dilemmas. [...]

[...] (Pause.) In the back, behind his place of residence, and another person with him, I believe a male, though I am not certain of this. (Pause.)

[...] A conventional relationship, perhaps a wife and two daughters (pause) or a wife and two sisters. (Pause.) The name Erickson is mentioned, and a trip of his, I believe a projected trip.

[...] (Pause.) I pick up some connection with a box, a small box, that is in Dr. Instream’s possession, and that he may be intending to give to someone as a gift, containing pearls or something of that description. (Pause.)

(Jane now paused and smiled, her eyes closed.)

(Long pause at 9:23.) I have said this before: the best way to solve a problem is to concentrate upon various solutions vigorously—and then to turn your minds to other subjects, divert yourselves while allowing the creative power some freedom. [...]

(Long pause.) The entire idea of the magical approach is of itself sustaining. [...]

(Long pause.) It should remind you of the true effortlessness that is in a fashion responsible for your very existence. [...]

(Her Seth voice was good, but with many pauses.)

Many psychiatrists and psychologists now realize that a disturbed client (long pause) cannot be helped sufficiently unless the individual is considered along with his or her relationship to the family unit.

[...] Resume at 4:20, with many pauses.)

[...] (Long pause.) With the latest developments in medical technology, there are all kinds of heart operations that can be performed, even the use of heart transplants. [...]

(Long pause.) The problem with the contracts and the entire translation affair bothered you both deeply. [...] (Long pause.) The entire situation bothered him deeply. He valued the relationship with Prentice (long pause), and he valued the idea of distributing the books in foreign lands, even if that venture meant misunderstandings or quite deliberate translations such as the shortening of one book, feeling that Prentice, while negligent, was not deliberately negligent, and that the situation would be righted and the material restored. [...]

(Long pause, eyes closed, leaning back.) Ruburt cannot understand all of the processes that are involved, but the body knows what is to be done, and is working with its own rhythms. [...]

[...] (Long pause.) When Frederick Fell took the ESP book he was delighted. [...]

(Long pause at 9:07.) In many ways Tam and Ruburt got along quite well, even though Tam was a good deal younger, where before Ruburt’s editors had been people a good deal older than he. [...]

Each person is a vital (long pause), conscious portion of the universe. [...]

[...] People, however, often identify with their seeming mistakes, forgetting (pause) their abilities in other directions, so that it seems that they are misfits in the universe, or in the world. [...]

(Pause at 4:33.) It is also aware of the infinite power and strength that composes the very fabric of its being. [...]

[...] The inner ego (long pause) draws instant and continuous support from the universal consciousness, and the more the exterior ego keeps that fact in mind, the greater its own sense of stability, safety, and self-esteem.

[...] The messages represent (pause) philosophies and ideas (pause) that the Seth material and his work will change. [...]

[...] (Pause.)

(Pause.) Now give me a moment. [...]

[...] (Long pause at 10:28.) You are to a large extent outside of the context. [...]

(Pause, one of many short ones, etc.) Now I was teaching him, and I went along with his natural interests and inclinations. [...]

[...] (Pause.) If he understands the creative uses of detail, then he will not be so consciously antagonistic to it. [...]

[...] (Pause at 9:29.)

[...] The basic inclinations can be extended, for example, but not completely redirected, unless there is an extraordinary impetus.(Long pause.)

[...] (Pause.)

[...] (Pause, one of many through here.) You would not (underlined) be a full time commercial artist, regardless of any old demands, though you felt still somewhat guilty at your refusal.

[...] (Pause.)

[...] (Long pause.)

(Pause.) Ruburt can give you whatever business statements you require concerning the sale of his books. (Long pause, eyes closed.)

[...] (Pause.) Probabilities always operate, and free will is always involved. [...] I send you my best wishes (long pause), and invite either or both of you here.

(Jane began speaking in trance for Seth in a rather quiet voice; eyes open often, average pauses, etc.)

[...] (Pause.)

[...] (Pause.) Entirely different temperments, but very close. [...] (Pause. [...]

(Long pause.) A small yard with lemons for the brothers. [...] (Pause.) They used the board in the kitchen. [...]

[...] (Pause.) A father, a very old man, still living in a place that is foreign or far distant from the brothers. [...]

[...] (Pause.) A very small example: the smell of an orange may instantly provide you with a mental image of one, so that that received from one sense is picked up in a fashion by the others—all serving in one way or another to give you a more completed picture of the object or event involved. [...]

(Pause.) If such an individual can convince himself or herself that somehow the entire affair is more in the nature of a game, then you can have at times some success, because in a game the conscious mind is willing to make allowances, and to “pretend.” [...]

(Pause at 9:20.) This opinion is backed up, you see, by the habitual use of accustomed neurological activity, and even while such an individual may agree that PK is possible at certain levels, there is a kind of neurological prejudice built in. [...]

(Long pause at 9:31.) The displacement target effect is highly important, for it operates in many other fashions. [...]

(Long pause at 9:20.) Ruburt’s creative nature early began to perceive at least that man’s existence contained other realities that were deeper. (Long pause.) Some of this is difficult to separate. [...]

At the time the sessions began (pause), the world was beginning to seem senseless, truly incomprehensible, to anyone who held any sense of poetry or sanity. [...]

(Long pause.) Ruburt broke through both psychically and creatively—that is, the sessions almost immediately provided him with new creative inspiration and expression and with the expansions needed psychologically that would help fulfill his promise as a writer and as a mature personality. [...]

(Long pause at 9:48.) As he became better known, so it seemed greater demands were put upon him. [...]

(Pause.) If you take this information to heart, you should then intuitively realize that by giving birth to the child (pause) you performed a kindly gesture, and opened a door. [...]

[...] (Pause.) I need not be entirely focused within your dimension in other words, but I am focused sufficiently to meet our appointments.

[...] (Pause.) Now when you watch, say, educational TV, you see the teacher, and he speaks. [...]

[...] (Pause.) If you study this material closely, you will see that I have answered your question more clearly than you realize, and indeed in the only way that would make any sense at all.