“Seth material” search engine (Jane Roberts)

[...] Sometimes that picture is a fairly faithful representation, and sometimes people make artificial portraits of themselves, and instead of speaking for themselves to others, they let their artificial portraits do it for them. [...]

Let us look at his painting. [...]

[...] Let him consider impulses also playfully, not looking at each one as if it were as important as the ending of the world.

[...] Earlier she’d mentioned having a session to make up for last night, but as 9 PM passed I thought she’d decided to let it go once again because of her relaxed state. [...]

[...] So if the area becomes too sensitive we let dictation go for a while. [...]

If you would remember natural selves, and your own characteristics, you would have a much better, clearer idea of what to realistically expect from yourselves, and you would let other ideas go when they conflict with your own quite definite inclinations. [...]

([John:] “Let’s take a break while I mull over some of this.”)

[...] Let the man from California speak his peace.

And now I will let you take a break, though I am myself in fine form. [...]

Let Ruburt remember the playfulness of games. [...]

[...] For now, let me say that in his writing and psychic activity he has learned to largely forget the levels of consciousness that are limited to cause-and-effect and time continuity.

(Pause at 4:59.) Let Ruburt take a brief break, and we will continue. [...]

[...] Jane, let me know. [...]

[...] I tell you all this to let you know that there is hope. [...]

([Rachel:] “Seth, let me ask you—I have a feeling though—if I don’t solve this problem before I quit it, I won’t have the self-satisfaction of solving a problem.”

[...] You let the tape go!”)

Now, I will let you continue with your discussion. [...]

[...] Do not let the improvements rearouse old fears, but remind yourselves that improvement is natural and spontaneous, and easy in the new system of beliefs. [...]

[...] He must feel free to let himself go free of limiting concepts, but he must see, the self that he is now, that certain ideas that he considered important and basic collected limitations about them. [...]

[...] I tried to let her know, without pushing, that a session tonight would be helpful, that I wanted to take advantage of the opportunity to learn more. [...]

[...] On other occasions he would write nighttimes, letting those hours by themselves create their own moods of secrecy and isolation from the social environment. [...]

(“Naturally, she wouldn’t ever let Seth say this, especially without coaxing. [...]

[...] But the intellect would insist upon keeping rigid control, fearing that if Jane let her spontaneous self hold sway that it would go whole hog psychically, in the worst way, and destroy all other elements and activities of the personality.”

[...] The cigarette event was bad news, I saw at once, let alone Jane’s sleeping after stating that she wanted the session. [...] When the smoke reached a certain point close to her fingers—I wouldn’t have let her burn herself —she woke up with a start and stubbed the cigarette in the ashtray. [...]

[...] Nor would I feel that Ruburt has let me down, or that you had in any way. [...]

[...] Every delay or missed session is a clue, for you never offer to make them up, nor have you for a long time now said let’s have a spontaneous session. [...]

[...] She had pointed to our hall door, beyond which our black cat, Ru, had been calling after someone let him in the back door. Still somewhat in trance, Jane let the cat in, etc. [...]

[...] You also felt safe when he did not move so fast, when his slower mobility seemed to denote greater deliberation, when in other words he did not let himself go.

[...] I would have him let this one in.

First of all, let us get a clearer view of your own intents through the years. [...]

[...] You have often tried to control your painting, rather than to let it go through you onto the canvas. [...]

[...] I can let my ability flow outward through my fingertips and brush, so that I create an entirely new reality upon the board.”

[...] Nevertheless lest Ruburt thinks he is getting off scot-free, let me remind him that the tree’s bark is quite necessary, cannot be dispensed with—but I will get into that and into Ruburt at a later time.

[...] Man lets his ego face the outer world as does the tree bark, and this is its purpose. [...]

We come again to the problem of practicality, and at the risk of repeating myself let me say that in the past Ruburt’s seeming impracticality has been more practical than your intellectual practicality. [...]

(“No, let’s continue.”

His recovery also follows his body’s own unique rhythms, which are as spontaneous as an infant’s. Let him know that his recovery is indeed a fact: he has only to recognize it as so in his mind. [...]

[...] Let’s hear it, Seth!)

In a manner of speaking, Frank said “As you recover, the soreness of the body will be a sign of new activity, letting you keep track of your progress.” [...]

[...] I saw at once that if valid they also meant Jane must shelve her projected book, Adventures in Consciousness, and concentrate on things like Rich Bed, the Dialogues (poetry), and, perhaps, let Seth do his own thing in sessions. [...]

When you want a break let me know.

[...] Even now he is afraid of turning down the money of letting that much work go, but he finally sees that that is his answer.

For now let classes continue. [...]

I will let you take a break and listen to your recording.

(Amused:) My friend Ruburt is out of his beer, so I will let you pause briefly.

[...] Let us look at some of those ways.

Then since we have that established, let me tell you that it is of course no coincidence, for the right arm was the area first affected. [...]

[...] The squatting he performed (last Friday night) should be repeated once daily at least, for it reinforces the idea of letting go with the body.

The sitting down, whether on a chair or the toilet, has to do with the fear of letting the body go. [...]