“Seth material” search engine (Jane Roberts)

Your bug, Joseph, differed in actual physical construction also from Ruburt’s. It was better detailed and more precisely drawn, smaller in size from either Ruburt’s or the cat’s, existed less in your camouflage time, and took up a measurably less amount of your space.

[...] Your construction of the set, Joseph, will involve the use of energy formed into various combinations of atoms and molecules; and these themselves give off vibrations that are received subconsciously, and also serve therefore to give indications of approximate location, bulk, and even particular material and color, to the subconscious mind of any observer, so-called; although he does not see your construction but forms his own, more or less in faithful replica, to what he has subconsciously perceived telepathically from you and any other constructor, from generalized notions of the idea behind the construction, and from vibrations and even impacts received from the atoms and molecules that compose other constructions of the so-called single object.

(Then we talked about her grandparents in connection with Jane and Marie; her grandmother’s death; the lawsuit against the town, which I don’t think I’d heard about before; welfare; Jane’s grandfather, Joseph Burdo, and her feelings for him, and so forth. [...]

He is bolder in his projections than you, Joseph.

Do you have any questions, Joseph?

[...] Ruburt’s own painting, his knowledge of his psychic abilities, his love of Joseph — all served to form a pattern which then attracted the Cézanne material. [...]

[...] You, Joseph, amplify and act as a conductor.

You have also communicated with me in this manner, Joseph, for your edification. [...]

You personally, Joseph, are indeed a different person than you were three years ago. [...]

Quite rightly, he did not interpret the event in conventional terms, and Joseph did not suppose that James himself was communicating in the way usually imagined (but see the opening notes for this session). Joseph did recognize the excellence of the material. [...]

[...] In the back of his mind he wondered about James, mainly because he knew that Joseph (Rob) enjoyed one of James’s books.

[...] I suggest, Joseph, that you take a break and I shall continue.

(Then Seth turned to Rob and said:) Now I have put myself out, Joseph and I’ve joked and for this I get a tear.

[...] Now I will tell you, Joseph, go out into the air and buy your earthly refreshments and return and perhaps I shall join you for a few social moments.

Joseph should be in the house. [...]

[...] During such periods, as has been suggested elsewhere, the personality can merge, blend or change various aspects of his previous existences, using them as you, Joseph, use colors.

For example: You were pleased, Joseph, with the portrait you did and showed Ruburt, remarking, however, that you wished you had done such work earlier, and on other occasions you have made similar remarks. [...]

[...] So unless there is another identical (underlined) Ruburt and Joseph combination, I am stuck with you. [...]

[...] The same kind of acceleration, however, applies in your own life, Joseph, and I will also have more to say in that regard. [...]

Now I strongly suggest, Joseph, one or two hypnotic sessions for a few weeks. [...]

[...] I will try to explain, though you may, Joseph, at first, disagree.

[...] Don’t forget your dream, Joseph.

Do you have an envelope for me, Joseph?

[...] Joseph is correct, the impressions were mainly emotional ones, connected with the object.

[...] This can apply to your own situation as well, Joseph. [...]

One word to you, Joseph. [...]