“Seth material” search engine (Jane Roberts)

[...] And in its own way it will also deliver the same message, and there will be a gallery connection for you.

[...] There is a reason also in that a deeper state of consciousness is sometimes needed when the upper level of his subconscious is concerned, as it still is since he gave notice at the gallery.

[...] There would be no harm either in going to the art gallery at your local college and getting acquainted with Clauss and others there. [...]

(Jane had obtained both kittens from the janitor at the art gallery where she works. [...]

1. Seth first mentioned viruses in the 17th session for January 26, 1964, when I asked him to comment upon the recent deaths of our dog, Mischa, at the age of 11, and of a pair of kittens Jane had obtained from the janitor of the art gallery where she worked part time. [...]

Back here, we have a question from the gallery. [...]

[...] The Silent Gallery people epitomized Ruburt’s fears in a fashion, and though I have given material in several ways pertaining to the fears, Ruburt never consciously acknowledged them, but shoved them under. [...]

[...] In his gallery work experience he did his best to disguise his spontaneous nature, out of his own fear and also as a result of your attitude at that time.

[...] Dee had been Jane’s director at the art gallery for about 2½ years. [...]

[...] There was more, but I believe that by this time I was coming out of the desired state and was consciously connecting the name Ryerson with a local teacher by that name whom Jane sees occasionally in connection with the art gallery where she works. [...]

[...] By the end of September she had left the gallery where she had worked part time four years. [...] Since leaving the gallery and buckling down to work, Jane had received many very favorable letters from publishers. [...]

You (smile) with your peculiar interests, can (underline) roam quite freely, art galleries and museums, in either the past, present and future, in those terms, and a sufficient impetus will help you do so. [...]

[...] Jane had a couple of hours work to finish at the art gallery where she then worked. [...]

[...] I made my feelings known, then left for the gallery to tell Jane. [...]

[...] In many ways he is indeed a creature of habit, and he feels comparatively safe at the gallery and hates to give up a retreat which has helped financially, certainly. [...]

[...] I didn’t take this very seriously at first, but he also said that he knew an elderly woman who worked with me at the local art gallery where I had a part-time job. [...]

[...] By the time I returned from the art gallery on those winter afternoons, it was already dark. [...]

[...] He spoke to Mrs. Stein and her friend, and picked up your ideas concerning the gallery. [...]

[...] However Jane would have worked in an art gallery—this experience was ahead of her, not foreordained but ahead of her in any case. You would have ended up in the same gallery.

[...] She had begun using her old typewriter for first drafts of her writings since leaving the gallery a few weeks ago, with the idea that since we do all the Seth material work on this machine, which is the best of the three we own, some wear and tear might be saved on it.

[...] You did not like galleries, nor the give-and-take with the world. [...]

This began at the gallery when your father and mother first stated that money would be needed, and very shortly after your return from Florida. [...]

[...] Jane was working at the Arnot Art Gallery then, and the two became casual acquaintances. [...]

[...] … There are many times that our paths have crossed, and that is why I wanted you here and why you happened onto the art gallery where Ruburt is employed. [...]

[...] As I worked at the gallery or at my book or did my house chores, the last session kept coming to mind. [...]