“Seth material” search engine (Jane Roberts)

You know the individual in approximately 1938, if that is a help. A connection with fox; did she for example live on a Fox Street. An animal like a fox is the connection.

The girl worked in a shoe store in 1938. Your mother, I believe, was aware of this or mentioned it to you at the time. (Pause.) The fox is a strong connection here. An address, perhaps 428. This may be a Fox Street, to the outside area of town...

(Jane later told me she felt the street was south of my parents’ home in Sayre—and where I had lived while going to high school. I happened to have a street map of Waverly, Sayre and Athens, and checked it before writing this. No Fox Street. The towns adjoin each other: Waverly is in New York, Sayre and Athens in Pennsylvania.)

(Then Jane surprised me by saying that Fox was not the name she had spoken, re Jerry A. She was very definite—that Fox wasn’t correct, saying I had misunderstood her. [...] We speculated about Foch or Foche; Jane said the name was one syllable with a softer sound than Fox—hence Foss. [...]

Jerry A. Fox. [...]

(Before I could finish the question about the name, James A Fox, or Foss, Seth spoke out quickly and forcefully.)

The Fox experiments are quite valid, with some changes that you will make, I imagine. [...] You have both occasionally learned to take our waking consciousness into the dream state, and here Fox is correct, for you must start at this point.

For example, Mr. Fox’s dream meetings were quite valid. [...] Each of them therefore constructs, you see, the dream location at which they have agreed to meet, a point not thought of by Ruburt’s Mr. Fox.

[...] There is no reason for Ruburt to be surprised at Mr. Fox’s thesis on dreams and out-of-body experiences.

[...] The test object sealed in the usual double envelopes was a woodblock print, made by an artist friend of ours, Roy C. Fox, and enclosed with Roy’s Christmas card of last Christmas. [...]

[...] To sum up first, we saw that Seth had used the name of the artist who had executed the block print, Roy Fox, as a starting point for data involving Jane and Roy and me, but for some reason had not dealt with the test object itself. [...]

(Roy Fox is a personal friend of ours. [...]

[...] Much of what you have read in your Mr. Fox’s book is quite legitimate.

(Astral Projection, by Oliver Fox. [...]

[...] Jane had noticed a close similarity in some of the effects described by Oliver Fox, and those she had experienced on her own while doing psychological time, as long as two years ago.)

[...] We ordered Oliver Fox’s Astral Projection. Astonished, I discovered that my experiences followed his rather closely, even though most of my projections to that date had been spontaneous. [...]

[...] Ruburt’s waking projection upon first reading the Fox book was also legitimate, as he should know.

[...] I was so reassured by Fox’s experiences that I instantly tried to project from a waking state. [...]

[...] Ruburt’s projection upon first looking over the Fox book was quite legitimate.

(Astral Projection, by Oliver Fox. [...]

[...] Some of Fox’s suggestions are excellent. [...]

(Another smile.) This is something like the fox he read of, who to get rid of fleas carries something like a ball of wool in his mouth and walks into the water, forcing the lice out further and further. [...]

[...] Mr. Fox is quite correct. [...]

[...] Possibly the above data refers to Marjorie as proprietor of The Art Shop, and her two helpers, my first cousin Ruth Gridley, and the framemaker Roy Fox. [...]

[...] My thought was that the two women and a man Seth referred to were Marjorie Buck, Ruth Gridley, and Roy Fox, all connected directly to The Art Shop, which furnished the bill used as envelope object. [...]

[...] Clare Townsend of 20th Century-Fox called Tam today and asked about seeing the manuscript of Jane’s second Oversoul Seven book, which Jane has just begun typing. [...]

[...] What Fox called awake-seeming dreams are excellent. [...]

(As Seth explains on page 134 of this session, some of the test data tonight represents preliminary connections with the test object, just as in the last envelope test with the drawing made by Roy Fox. [...]

[...] Roy Fox, whose name appears on page three of the envelope object, is in his early 60s.

[...] Blue is referred to both on the object itself on the page 11 side in the line: Norwegian natural blue fox… etc.; and is torn through on the page 12 side in the line referring to a sale of thermal blankets: White, green, pink, blue, gold. [...]

[...] There is no need to experience the hallucinations mentioned by Fox [in his book, Astral Projection]. [...]