“Seth material” search engine (Jane Roberts)

(My questions and statements were admittedly brief, and may have been too brief. I have mentioned the discarnate Van Elver in most recent sessions. In the 424th session of July 29, Seth said Van Elver, whose portrait I have recently painted, left a mental message for me; to the effect that I shouldn’t use sepia with too heavy a hand.

(“Anything from Van Elver?”)

(This surprised me. “Van Elver and the use of sepia.”)

Van Elver.

[...] See page 35 for material and notes concerning the present status of this question of sepia and Van Elver.)

There are times when various circumstances are correct, and when these occur messages from your artist friend (Van Elver) come in very strongly, and often suddenly. [...]

(See the 424th session of July 29, and the discarnate Van Elver’s suggestion that I not use sepia—Seth pronounces it say-pia—with too heavy a hand. [...]

[...] (From Van Elver?) A recommendation. [...]

A connection with Van Elver, though I am not sure of its extent.

(I’ve painted a portrait of Van Elver, who is the fourteenth-century artist [Danish or Norwegian] from whom Seth receives information on painting techniques.^*)

Van Elver the younger. [...]

[...] And the artist’s name was Van Elver. Elver…. [...]

[...] “Have you been in touch with Van Elver lately?” See the 414th session.)

[...] Would Seth relay my questions to Van Elver, then deliver the answers, or what? [...]

(The painter, 14th-century Belgian artist Van Elver, a survival personality whose portrait I have painted. [...]

[...] I wouldn’t think Van Elver would know much about brand new varnishes—or would he?”)

[...] Seth then gave the artist’s name as Van Elver, saying he was from Norway or Denmark and that he was giving Seth painting data to be passed along to me.)

(Jane said that she saw the scene with Van Elver, as she described it to me; including his self-portrait. [...]

[...] The name Van Elver isn’t given in the caption, but the painting is easily identifiable.

Our friend the artist (Van Elver; see the data last session regarding sepia) is not available this evening, but if you make the point of reminding me before sessions, I will see that we get more information for you.

(“Many instances could be thought of—re Van Elver; the mathematician in Edinburgh; re my telepathic experience in Wyoming last year; the auto accident data involving Bill Macdonnel in California, etc. [...]

(In line with a policy of trying to keep abreast of topics brought up during sessions, I mentioned to Jane this evening that I would like more data from Van Elver via the “sepia” discussion, begun in the 424th session; and some data about Jane’s impressions concerning the dream book when it was at Parker. [...]

[...] Now the eyes in the oil head I recently finished of the discarnate artist, Van Elver, seemed alive to her; the portrait hangs on a bookcase wall in our living room. [...]