“Seth material” search engine (Jane Roberts)

(I am not sure exactly what happened, much less what caused it. I’m writing a prose sketch of Father Trainor. I thought that if I tried reading G. K. Chesterton’s Lepanto, and Gray’s Elegy in a Country Churchyard the way Father Trainor used to, my memory would be refreshed. I wanted to describe his poetry readings for the sketch.

(I stood up and began to read. The sudden volume and depth and timbre of my voice was instantly apparent, and startled me. I read all of the Lepanto and part of the Elegy in this manner. My voice boomed—I sounded more like Father Trainor than like myself. The volume of my voice was really tremendous.

(As a check I suggested later that Jane try reading a different poem, one not read by Father Trainor, to see if she could summon this powerful new voice at will. I wanted to see if something Jane had no emotional involvement with, via memory, could also be used to summon voice changes. Nothing happened. To begin with Jane could not consciously summon nearly the volume of voice, and within a few lines she was so hoarse she had to rest. She said Father Trainor always read the Lepanto and the Elegy on his Sunday visits, and that she could not remember his reading anything else.

[...] It reminded me at once of a dirge or an elegy, and I felt chills as I began to intuitively understand just how meaningful it was, even without any translation at all.